Author: Nova Ren Suma
Genre: Contemporary – Speculative Fiction YA
Publisher: Penguin Young Readers Group
Publication Date: 14 June 2011
Hardcover: 352 pages
Chloe’s older sister, Ruby, is the girl everyone looks to and longs for, who can’t be captured or caged. When a night with Ruby’s friends goes horribly wrong and Chloe discovers the dead body of her classmate London Hayes left floating in the reservoir, Chloe is sent away from town and away from Ruby.
But Ruby will do anything to get her sister back, and when Chloe returns to town two years later, deadly surprises await. As Chloe flirts with the truth that Ruby has hidden deeply away, the fragile line between life and death is redrawn by the complex bonds of sisterhood.
Stand alone or series: Stand alone
How did I get this book: Review copy from the publisher
Why did I read this book: Both the striking cover and the intriguing blurb made me think that this was an Ana-book in all of its contemporary glory.
Chloe and her older sister Ruby are the best of friends and the closest of siblings. No one knows Chloe like Ruby does and no one could possibly love her more. And the same can be said about Chloe’s love for her sister as well although that love is easier to understand since everybody loves Ruby. In the small town where they live, Ruby is the girl all the boys want to sleep with and all the girls want to be. The one who can get away with anything she does, the one who gets anything she wants. The parties don’t start until Ruby is there and they stop when she leaves.
It is during one such party at the town’s reservoir, that things go really, really wrong. Ruby says Chloe can swim across the reservoir. Ruby says Chloe could never drown. Ruby says Chloe will swim its length and all will be ok. So of course Chloe will do it. But then she finds the dead body of her classmate London on a boat in the reservoir and all of a sudden Chloe is gone from their town, living with her estranged father, away from Ruby. For two years, there are only a few text messages. For two years, Chloe lives on standby. And then one day Ruby shows up and asks her to return so they can live together again like nothing ever happened – because all is back like it used to be. Chloe goes back, because how could she not and then realises that everything is indeed, just like that night two years ago.
Reading Imaginary Girls was a weird experience for me and this is going to be a hard review to write because of that. Obviously, every review is subjective even as I try to write about that very subjectivity as objectively as possible. However, in this case, I find myself at odds on how to approach that. How can I be completely objective about my reaction to this book when my reaction to the book was so completely shaped by expectations prior to reading it? I will explain:
I wanted to read this book, and effectively made room on my reading schedule to read it based solely on the strength of its cover and its blurb both of which promised a straight contemporary story about sibling love. At the moment, this is exactly the type of novel I love to read and have been in the mood for. Thus, a contemporary story about sisters was what I thought the book was and I don’t think there is anything surrounding it that even remotely suggests otherwise. So I began to read the novel and the first impression was very positive as the prose is absolutely lovely. But as the story continues, it becomes clear that there is a degree of unhealthy obsession between the two sisters. Which is fine, I love Contemporary novels with psychological twists. But beyond that, it becomes clear that everybody loves Ruby and will do anything she wants and all I could think about was WHY because Ruby as a character is not really interesting at all beyond the fact that I am told that she is. At this point, I was irritated. The Ruby-this, Ruby-that was used to such an extent that it becomes really old really soon and the plot would not.go.on. beyond the Ruby-ness of it. At this point I was prepared to go on a rant about Manic Pixie Dream Girls as Ruby seemed to fit the trope so well.
But then something that is decidedly not normal happens within the story. A plot development that sets this book firmly within paranormal territory. To sum up: this is SO NOT a Contemporary story.
At that point, I had to readjust. I had to review what I thought I knew about the story and my expectations accordingly. All of a sudden, Chloe is an even more unreliable narrator. All of sudden, this is a Speculative Fiction story. All of a sudden, I need to see Ruby with new eyes. Was I able to do it? Not entirely. And that is a shame because the story is actually pretty good and some of the events enthralling, as it becomes clear what type of story it is. But I found myself reeling from what I believe to be frustrating mis-marketing. I believe that this means that people who love speculative fiction and who would love this book might pass it by and miss a book they might enjoy. This means that those like me, who just wanted a straight contemporary novel, might be frustrated. And even though I love Speculative Fiction, I am not even sure I would have picked this book up, certainly I wouldn’t have right now, had I known.
Imaginary Girls is very creepy, uncomfortable and disturbing. In fact, it reads a lot like a Twilight Zone episode. But even though I love Twilight Zone, I only love it to a certain extent – because I am the type of reader/viewer that is always, always asking questions. And some questions in this novel are not answered at all (especially the WHY and the HOW EXACTLY) . In that sense, I don’t believe I am the optimum audience for this book and this particular brand of speculative fiction.
But I believe that to those who ARE, who love this type of story, Imaginary Girls will be a surprise – and a welcome departure from the usual paranormal YA fare.
Notable quotes/ Parts:
She’s five-and-a-half years older than me, so she has memories I don’t, can put me in places I’d swear I’ve never been (Lollapalloza, Niagara Falls, the Ulster Country Jail that one time, to visit our mother). If Ruby said I could swim all the way across, if she said I could dive down to the bottom no one’s ever put a hand to, find what’s left of Oliver, touch the floorboards of the houses flooded in 1914, and come up kicking, a splinter of proof in one finger, then maybe I can. Maybe I have. Ruby could turn me from an ordinary girl you wouldn’t look at twice into someone worth watching. Someone especial, mythical even.
That’s what I got for being her baby sister.
You can read the first 76 pages of the book online HERE.
Additional Thoughts: After reading the book, I visited the author’s website and found out that she has written another book for Tweens, called Dani Noir. I bought it immediately – I liked her writing well enough and this one sounds pretty good. Not to mention that this author has been blessed by the cover gods.
Fade in on thirteen-year-old Dani. It’s the summer before eighth grade, and she’s stuck in her nowhere mountain town with only her favorite noir movies at the Little Art theater to keep her company. But when a big secret invades the scene in real life, Dani can’t let it go. All she knows is someone’s been lying, and it all has something to do with a girl in polka-dot tights… Armed with a vivid imagination, a flair for the dramatic, and her knowledge of all things Rita Hayworth, Dani sets out to uncover the truth, and learns more about herself than she ever thought she could.
Rating: I don’t believe I can rate this book as it was not what I expected to be reading at all. If it helps, I think it is a GOOD book so definitely well above the 6 mark.
Reading next: Beauty Queens by Libba Bray
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