It has recently been brought to our attention that another big Young Adult release may be pulling for a three-peat of Bloomsbury’s Liar and Magic Under Glass fiascos.

This time, the potentially whitewashed cover in question is the ARC of White Cat, the upcoming YA novel by Holly Black – and this time, the culprit is Margaret K. McElderry, a Simon and Schuster imprint.

An anonymous comment was left on our recent “Cover Matters: On Whitewashing” post. The commenter quotes directly from the ARC of White Cat that imply the protagonist, Cassel, is in fact a person of color, and that the cover is another instance of whitewashing.

Here are some of the quotes from the commenter about the book:

“Phillip’s dark skin makes his teeth look whiter when he smiles.” (ARC; pg 30).

(According to the commenter, “Many times throughout the book, we’re told that the Sharpe brother’s look a lot alike, so if Phillip has dark skin, it makes sense that Cassel does as well.”)

“I shake my head. ‘If they are, I don’t know where from. I bet mom for sure doesn’t either; although Gramps always says that his father–her grandfather– was a maharajah from India…” (ARC; page 43)

“‘Your grandfather told me that your family was descended from runaway slaves,’” she says. (ARC; page 43)

“People are always coming up to me on trains and talking to me in different languages, like it’s obvious I’ll understand them.” (ARC; page 43)

It is not a secret that we are against whitewashing. It is a racist, harmful practice. Before going off, denouncing the publisher and cover without all the facts, however, we decided to be cautious on this occasion for two reasons:

1) The quotes above seem to be indirect. They don’t describe the character that is depicted on the cover; they describe his relatives or how other people perceive him.

2) The book and cover are from Simon and Schuster, a publisher that has a good track record for publishing great, accurately depicted PoC covers.

We were outraged at the prospect of another whitewashed cover, but we also felt like we really needed to vet this ourselves. The above evidence seemed a little circumstantial and indirect – a person’s dark complexioned brother does not necessarily a PoC make (for that matter, teeth appearing whiter in contrast to skin could reflect anything from ethnicity to a good tan). So, we felt like we needed a bit more information – and luckily, we had an ARC for vetting purposes.

Here’s what we found:

The fourth quote above (about trains and different languages) isn’t in our ARC.

The second and third quotes are taken slightly out of context. Here’s the full quote from our ARC copy:

“Why did your parents call you Cassel?”

I’m defeated and amused. “Mom loved extravagant names. Dad insisted that his first son be named after him — Phillip — but after that, she got to name Barron and me whatever fanciful thing she wanted. If she’d had her way, Philip would have been Jasper.”

She rolls her eyes. “Come on. Are you sure they aren’t from her family? Traditional names?”

I shake my head. “If they are, I don’t know where from. I bet Mom doesn’t for sure either, although Gramps says that his father — her grandfather — was a maharaja of India. He sold tonics from Calcutta to the Midwest. Makes some sense that he could be Indian. His last name, Singer, could be derived from Singh.”

“Your grandfather told me that your family was descended from runaway slaves,” she says. [...] “Yeah,” I say. “I like the maharaja story better. And don’t even get me started on the one where we’re Iroquois.” (ARC 43)

We’re a little bit hesitant to say that Cassel is a PoC based on this excerpt. Although the bolded line above does speak to the angle that Cassel’s (or at least Cassel’s mother’s) appearance may imply some different (read: non-white) traditional background, it’s still all rather inconclusive (for example, the very caucasian Angelina Jolie, Megan Fox, and Farrah Fawcett all claim to be of Iroquois/Native American descent). There is no physical description of Cassel throughout the book, and there aren’t any explicit clues as to his appearance or heritage here. With only this as evidence, we weren’t exactly convinced that White Cat was another egregious example of whitewashed covers.

So, we sat down with the book, combing through the pages for a physical description, and for anything racially/culturally/ethnically explicit rather than implicit. After a few hours of reading, we finally found what we were looking for:

“My cousin just got back from India,” I say, and nod in Lila’s direction. “Her parents were living in some ashram. I was telling her about Wallingford.”

Audrey’s hands go to her hips. “She’s your cousin?”

Lila scrunches her eyebrows for a moment, then a wide grin splits her face. “Oh! Because I’m so pale, right?’

Stacey flinches. Audry looks at me like she’s trying to see if I’m offended. Wallingford’s idea of political correctness is never to mention anything about race. Ever. Tan skin and dark hair are supposed to be as invisible as red hair or blonde hair or skin so white it’s marbled with blue veins. (ARC 226)

This is the closest to explicitly stated evidence that Cassel is a PoC (even at that, we find it a very interesting choice on part of author Holly Black – Lila remarks about her “paleness” as opposed to any mention of Cassel’s appearance or his implied darker skin tone).

We want to stress that neither Cassel’s physical features nor his ethnic background are ever fully revealed in the book. It’s also worth noting that Cassel is the first-person narrator, and he doesn’t seem to know (nor does he ever explore) his own background. It’s almost as if the Wallingford’s PC non-mention of race is something Ms. Black put into practice in her novel, which is rather cool in itself. Perhaps this quote is indicative of Holly Black’s point with White Cat, and with her non-descriptions of Cassel. (This kind of reminds us of Neil Gaiman’s American Gods, in which Gaiman doesn’t reveal that protagonist Shadow is actually a black man until the end of the book) Perhaps Ms. Black’s point is that race isn’t really a part of the story. Perhaps it is meant to be an affirmation of colorblindness.

But we digress.

On the matter of whitewashing, we don’t know what Cassel looks like or what his cultural or ethnic or racial background is. But there is no doubt in our minds that Cassel is at least of a darker complexion – but this could mean anything. He might be Indian, or Hispanic, or Middle Eastern, or Greek, or Nigerian, or Indonesian, etc. Though the other quotes are circumstantial and inconclusive at best, with this last explicit remark near the end of the book, we can conclude that Cassel is, at the very least, not pale-skinned in appearance.

Thus, the ARC cover of White Cat, with its pale, caucasian-looking model, is a misrepresentation of the protagonist. It is a form of whitewashing, and we definitely want to add our voices to those calling Simon & Schuster to change the cover.

Before getting up in arms about White Cat, we think that a few things should be said. First, in order to come to this conclusion about the whitewashed cover and Cassel’s appearance, it took us several hours of combing through the book with the dedicated, sole task of finding a physical description of the protagonist. We had to search long and hard for this information, only to find no explicit descriptions and yielding instead a bunch of implicit ones.

Thus, the case of White Cat isn’t exactly the same as those of Liar, Magic Under Glass, or The Mysterious Benedict Society. There was no explicit description of a black protagonist with kinky, cropped hair and no subsequent publisher decision to replace this clearly described PoC with a caucasian girl with long flowing tresses on the cover. And, considering that we spent hours looking specifically for these descriptions, we can at least see where things might have gone awry between editorial and cover art departments, and how the assumption of a caucasian protagonist in this particular book may have occurred. Considering, especially, Simon & Schuster’s excellent track record with diverse PoC book covers, we don’t think this was an intentional decision (as it clearly was in the case of Liar, MUG, & TMBS) – it certainly is nowhere near as harmful or openly racist as Bloomsbury’s decisions to use white models for clearly described PoC characters.

Thanks to a wonderful second-opinion consultation from esteemed (and wicked cool) author Sarah Rees Brennan – the only person we knew of that had read White Cat in its entirety – and some online research, we have learned that Holly Black HAS spoken out about her cover:

Cassel’s racial background is indeterminate, which makes him very hard to describe. His story is actually partially based on a fantastic true-crime book, Son of the Grifter, that I read while I was doing research for White Cat. In it, a man named Kent Walker described being brought up by his grifting mother. She often told him different stories about where his grandfather’s family came from – essentially robbing him of a clear sense of identity. In White Cat, Cassel doesn’t know his background–only the contradictory things people in his family have claimed. I’m glad the final cover shows him looking more tanned, in keeping with the way he actually looks in the book.

Also, we have learned that the ARC cover is NOT the final cover for White Cat. Holly Black has posted about this matter on her blog, in response to a concerned reader’s comment about whitewashing:

You are absolutely correct. The lighting at the shoot and the desaturation done to the photo made the model look very pale on the cover of the ARC. Cassel looks browner and more like himself on the final.

Here’s the comparison of the ARC (left) and final cover (right) (click to enlarge):

It might not be perfect, but it is (in our opinion) a marked improvement. This version of Cassel on the new cover is much closer to our mental image of him!

In response to our question about how author Sarah Rees Brennan felt about the cover, she told us the following:

I’ve read the book, and I thought it was very cool how Cassel’s family being conmen means he literally doesn’t know where he comes from – to reflect that the three models for the Sharpe brothers (the other two are on the back) are all from different racial backgrounds. But it does mean Cassel’s look was always going to be tricky to portray with a people cover, since he doesn’t actually know whether he’s a PoC or not.

And after reading the book for ourselves, we wholeheartedly agree with Sarah’s opinion.

So what about you? Any thoughts? We’d love to hear from you about this particular cover!

For more on White Cat by Holly Black, check out these links:

Holly Black’s LiveJournal in which she responds to a heartfelt, awesome comment

And we will leave you this evening by letting you all know that while we made it sound like writing this post and gathering facts was some arduous task – it actually wasn’t, because White Cat is a fantastic, awesome read! (Don’t worry, we’ll review it closer to the release date this May)…

Cover Matters is a new monthly feature in which we examine the medium that is first contact between a reader and a book: the cover. This feature will dedicate more separate space to a topic that has always intrigued, irked, and befuddled us. We will be talking about issues such as whitewashing practices, covers in poor taste, misleading or completely inaccurate covers, clichéd covers and, of course, covers that manage to get it right. We plan on having guests (bloggers, authors, cover artists, and publishers if possible) join us for these monthly pieces, with the following question in mind: Do covers matter?

In this first issue, we will be examining the practice of whitewashing of covers. We begin by taking a look at a few examples of Whitewashing over the ages, following up with an examination of the rationales justifying this practice. We proceed to talk about problems of whitewashing, as this form of discrimination has much broader implications in not only the publishing and book world, but in the real world as well. We finally conclude the post with a call for awareness and a guest article by the eloquent and passionate Ari from Reading in Color.

Introduction:

In books, to whitewash is to use a white representation for a character that is not white. If you have been anywhere near the wonderful world of book blog internetting for the past few months you are probably aware of two major cover fiascos, in which publishing house Bloomsbury used white models on covers to represent non-white protagonists. After the huge online outcry the covers of Liar by Justine Larbalestier and of Magic Under Glass by Jaclyn Dolamore were retreated and replaced:

As much as we, and probably the rest of the world (as some of the comments we have seen point to), would like to think that these are only but sporadic, isolated incidents, unfortunately this is not so. The practice has been going on for a long, long time, and it is not confined to one genre or one race, nor is it solely an American issue, either:

Example 1: Octavia Butler’s Dawn

Dawn is the first book in Octavia Butler’s Xenogenesis series and her protagonist Lilith Iyapo (the standing woman in the cover to your left), is described as “an imposing black woman” (quote from NK Jemisin’s article). The first cover published in 1987 was replaced with the cover on the right in the 1997 edition, 10 years later.

Example 2: Ursula Le Guin’s Earthsea Quartet and Powers

Ursula Le Guin is a Fantasy author known for writing multiracial characters. Her Earthsea quartet for example features dark-skinned characters, however early books depict white-skinned ones on the covers.

Similarly, the arc of her 2007 release Powers, which features a POC as the main character, was distributed with the cover on the left. Thankfully, the publishers fixed the mistake in time for the release.

Example 3: LA Banks’ Crimson Moon Books

The Crimson Moon books features a protagonist who is half-creole, half African-American and the four covers in the series are completely all over the place in portraying said protagonist. The latest cover is the only one that comes close to Sasha’s honey, darker skin tone.

Example 4: Cherry Cheva’s She’s So Money

The protagonist of this 2008 book is Asian (Thai to be more precise).

Example 5: Esther Friesner’s Sphinx’s Princess

This 2009 novel and 2010 sequel, about Nefertiti, the Egyptian Queen has a very white, European looking model on its covers.

Example 6: The Dragon and The Stars Anthology

This anthology edited by Derwin Mak and Eric Choi, and featuring fantasy, myth, and science fiction stories by and about ethnic Chinese writers from around the world – including Hong Kong, the Philippines, Singapore, Canada and the United States….and it has a European Dragon on the cover. (Never mind the fact that the book isn’t even about dragons)

Example 7: German cover of NK Jemisin’s The Hundred Thousand Kingdoms

The protagonist of this fantastic novel is thus described:

I am short and flat and brown as forestwood, and my hair is a black-curled mess. Because I find it unmanageable otherwise, I wear it short. I am sometimes mistaken for a boy.

So who is the person depicted in the cover of the German version?

According to the author, the German editor has declared that the woman in the cover is not meant to depict anyone in the book. It is a random person. She has been advised:

by other pro authors that this sort of thing — art that’s got nothing to do with the book — is common among foreign publishers, who go in more for “symbolic” rather than “representative”/”realistic” like us USians prefer.

We remain baffled as to how a blonde, random woman in lieu of a dark-skinned woman could “symbolise” anything other than racism. This is a choice and a choice that brings us to the point of this post.

“Explaining” Whitewashing

The most dominant rationale we have seen for justifying whitewashing of covers (and movies, etc) is the simplistic argument:

We have a few problems with this argument. First, we should disclose that we do NOT have any hard data (although if anyone does have access to sales figures, we’d love to hear from you), and as such, we must deal with largely anecdotal and other secondary evidence.

That said, it seems to us that the argument that the statement, “PoC Covers Don’t Sell” seems more than a little disingenuous. First off, there aren’t very many books with PoC representation on the covers out in the market to begin with! Check out one informal survey done by a blogger cited at Racebending.com, in which a paltry 2% of 775 YA books looked at had PoC on the covers. This is a small sample, but from our experience, it feels pretty representative. Go into the YA or SF/F section of your book store and take a look at the covers. We’re betting about 2% of those covers depict a PoC (if that). In this sense, yes, PoC covers don’t sell…but that probably has something to do with the fact that there aren’t any significant number of them out there. And while we’re on the argument that covers with PoC on them do not sell, take a look at the July issue of Italian Vogue. The issue, in the midst of a huge slump in advertising and sales for fashion magazines, sold out completely in the USA and UK, causing a rush second printing of 40,000 copies. This hot-selling, record breaking issue was the “Black Issue” and only featured black models. For a relatively small circulation magazine, this is huge news. While we know that matching book publishing to magazine publishing is an apples to oranges comparison, we do think it’s an interesting trend to at least note.

Following and related to the argument that POC-cover books will not sell, the second major argument we have seen in the rationale for whitewashing covers is:

There’s a whole lot wrong with this argument. First, it assumes that the majority of “readers” are white. We live in a very diverse world – in the United States alone, over 38% of the population is a race other than white (according to the American Community Survey Demographic & Housing Estimates from 2006-2008, and separating “Hispanic/Latino” from the “white” classification). Demographics aside, this argument is also flawed as it assumes that readers can only relate to books about characters that are similar to themselves. What does that say about books with vampires or werewolves or blue aliens on the covers? Is the message, then, that readers can eagerly relate to these covers and these different species’ of characters – but cannot relate to something so removed as another human of a different race? What does this say of PoC audiences that read books with predominantly white protagonists? This argument implies that they either have more mental fortitude and adaptive prowess than their white brothers and sisters, or that their being able to relate to white characters simply isn’t as important than whites being able to relate to non-whites. Any way you cut it, it’s insulting to all those involved.

Besides the Young Adult category/genre, we’ve seen this argument of non-relatability applied especially in the romance field – in particular, with African-American Romance. Attempts at “Crossover Marketing” (Marketing African-American Romance in the Romance section as opposed to segregating it to the A-A Section) were met with this brand of criticism, for example from the Arlington Morning News (from aalbc.com):

In an Arlington Morning News story about crossover marketing of African-American romances, a magazine publisher indicated that the covers, which show Blacks in Afrocentric styles, might make white readers uncomfortable.

“There are many people who might see the covers of the books, which often feature women with braids or short kinky cuts and men with clean-shaven heads and dark skin, as being too black and in-your-face” She went on to suggest covers without people.

As we’ve said before, this is a problem that pervades the publishing industry, across genres. Again, the same assumption presupposes this reporter’s argument (a white person is not too white for PoC readers, but PoC characters are too “colored” and “in-your-face” for white readers). The point is, these sorts of assumptions about white and PoC readers are insulting to ALL involved – to both persons of color, and white readers alike.

Problems & Implications of Whitewashing

The problems inherent in whitewashing of covers extends much further than a mere book. The practice is indicative of a larger problem that is prevalent in the publishing world, and in our own world, as readers and humans. Even before a cover is placed on a book and may be whitewashed, there are numerous obstacles and problems that face PoC writers. You may have noticed that many books with PoC protagonists are written by white authors, especially in the YA arena. In fact, the whole impetus for our “Cover Matters” posts were two such books – both Liar and Magic Under Glass are books with PoC protagonists, and are written by white authors. According to statistics taken from the Children’s Cooperative Book Center at the University of Wisconsin-Madison, this trend is the norm:

We want to make it very clear that we think that it is TOTALLY awesome that white authors write about POC. We want diversity! We live in a diverse world, we want diverse characters that represent the real world! Justine Larbalestier has written a great article about why her protagonists aren’t white, that we encourage everyone to read.

However, the discrepancy between books written about PoC and by PoC is interesting, and also worthy of note. Take, for example, Mary Anne Mohanraj’s experience with “The Red Sari” phenomenon for her Bodies In Motion cover. Ms. Mohanraj explains:

My original cover was an ‘artsy, literary’ cover, but under market pressure, the cover was changed to an image of a brown-skinned woman with wet skin, wrapped in a red sari. I had heard that this was common for the covers of S. Asian books, so I eventually decided to do some research and see if that was actually the case.

Ms. Mohanraj put together a presentation of her findings for the 2008 SALA Conference in San Francisco, which you can read about online here: South Asian & Diaspora Book Covers.

For another perspective, we’d also like to call your attention to a post by POC author Neesha Meminger, “Who Gets to Represent”. Of her experiences, Ms. Meminger says:

When white authors write characters of colour, their careers are not hindered. In fact, they may get the traditional pat-on-the-back response whenever the privileged represent those they have privilege over. When authors of colour write books featuring white protagonists and all-white casts, their careers are not negatively impacted. I am not applauded or thanked when I write white characters in my books because I am expected to.

Certainly a valid point. She then goes on to say:

When authors of colour dare to feature protagonists of colour, or people their books primarily with characters of colour, our challenges to getting published are vast. If we do somehow manage to get published, our books are “educational,” or about race and “other”-ness — and we are almost never lead titles. Many of us struggle to get a second book published (Mitali Perkins waited over ten years to have her second book published), and to get the marketing and publicity support we need to reach our audience. (This last bit is probably true for the majority of authors, regardless of race or background, but it is definitely compounded for PoC).

So, What Can We Do?

Whitewashing of covers is a problem. It is a concrete, visual representation that can be held in our hands, of a much larger moral and social problem, namely: Racism. If you think that we are exaggerating, that covers don’t matter, that what matter are the stories inside a book, that this is the 21st century after all and we all have come a long way, perhaps you should consider the following:

- Most of the examples given above happened in the past 5 years, some of them are happening right now.

Whitewashing is not something that is relegated to the book industry either to wit:

- In 2008, L’Oréal was accused of Whitewashing Beyonce on their advertisement on an issue of Elle Magazine.

- The 2010 movie Avatar: The Last Airbender, which is based on a Nickelodeon’s cartoon and is “set in a fantastical Asian world,” depicting a multicultural world and multicultural characters. However, the casting of the movie is largely Caucasian – for the heroes, that is. The villains, however, are represented by PoC.

- Last Friday it hit the news that Gerard Depardieu will be playing the role of Alexandre Dumas in a new movie about the writer who was of mixed race and suffered racism when he was alive. Gerard Depardieu had to “darken his skin and wear a curly wig” to play the role.

And the list goes on.

So, the question we need to ask ourselves is this: what can we do about all of this mess? There is no easy solution for this of course – you can’t make a racist, not racist. You can’t make people who think they won’t relate to a PoC in a cover of book or a magazine, or in the lead role of a movie change their minds.

Where to start?

Awareness is important. Be aware of cover issues, for example, and don’t deny that there is a problem (i.e. “marketing departments are so busy, maybe this is not a racist issue at all”). Be aware that there is such a thing as White Privilege, and what exactly it means (check out this article from The Story Siren on her experience with White Privilege). There will a whole bunch of links at the end of this article as well, and we highly recommend you read them.

If you want to actively do something, you can start by reading more books by PoC, about PoC and with PoC on the covers – and the numbers will start to change. Check out the PoC Reading Challenge or join the Readers Against Whitewashing Facebook Page.

Publishers: if you are publishing a book about a PoC, OWN IT. Like for example, Simon and Schuster and Angry Robot are two publishers that are publishing great books about and by PoC with great covers too.

The truth is this: if we just sit back and let it pass, we will still be seeing whitewashing in the 22nd century and beyond.

And this is what we have to say on the subject; we admit we got carried away. The more we read, the more interested we became, and the post ended being more of an essay than anything else. We have learnt a lot in the process, we might even have shed a tear or two reading articles and watching videos at Racebending ( a site we highly recommend you all to check it out, it is eye-opening).

To finalise, we would like to give the floor to Ari, from Reading in Color. She is the teenager who wrote that amazing letter to Bloomsbury when the Magic Under Glass cover debacle occurred, and her words have inspired several articles and blogs about the subject. We asked Ari: Do Covers Matter?

Covers Matter

A huge thank you to Ana and Thea for inviting me to express my opinions here at The Book Smugglers. Like most bloggers I love to talk, rant, discuss and listen so I’m excited for this new feature they will be having called Cover Matters because it’s an important topic and one that we need to talk about.

I think YA book covers (I mostly read YA so I can’t compare my thoughts on this subject to adult fiction book covers) have lots of problems (skinny models vs. overweigh models, boys vs. girls, headless people, etc.) However, in this post I want to focus solely on whitewashed covers because they are the most distressing of all covers.

If you follow the book blogging world, especially the YA blogosphere then you have undoubtedly heard all about the Liar and Magic Under Glass cover controversy. A brief refresher: Bloomsbury USA whitewashed both covers of these books. That means that, although the books were about African American (in Liar the main character, Micah is biracial) or “dark-skinned” (the main character, Nimira in Magic Under Glass is described as such) girls, the covers had white models on them. This is wrong, pure and simple. The whitewashing of covers has been an eye opener to many in the blogging community.

The message a whitewashed cover sends is that POC are worthless, that we mean so little that even if a book is written about us, we can’t be on the cover because the image of a POC won’t sell. Even if a book is about a certain topic, the cover can be completely different from the story as long as it sells. Now I want everyone to step back and think about this. Are you back? Is that not completely ridiculous? For all the “color blind “folks, let’s take color out of the equation. It would be like having a vampire on the cover of a book about a witch or a dog on the cover of a book about a horse, etc (except it’s 100x worse to whitewash a cover). Wouldn’t you be mad or at the very least puzzled? POC can read about white people, that’s “normal” and expected. But ask some white people to read about a POC and it’s a problem, “there aren’t many books about POC in my favorite genre” or “I don’t see color so I shouldn’t have to alter my reading habits.” I admit that I always thought it obvious as to why whitewashed covers are wrong, but I received a rude awakening when I started reading comments on other blogs that said things like “so?” or “I don’t really care because I don’t see color. I just read the story if it sounds good.” This is troubling for a few reasons.

First, the idea of “not seeing color” is ridiculous and sad. It’s sad because we live in a colorful world, with people who are all different shades. If you don’t “see color” then to me, you are saying I don’t recognize the beauty of all people who are of different hues. People come in all different colors and we should see this beauty and appreciate, not ignore it. If you’re white, you are colorless to a certain degree but that’s not bad! I certainly don’t think white people should feel bad for being white or pale (ugh don’t get me started on tanning! Tanning beds are one of the creepiest things in this world), everyone should be accepting of their own skin color as well as others.

I understand the intention behind “not seeing color”. This mindset states that you only judge a book based on the story within the pages, not on the cover. The idea being that you will read any book that appeals to you and that therefore you are not narrow-minded because you would read a book about a person of color (POC) it just hasn’t been written yet. As if, once a book is written in your favorite genre and it’s about a POC, it will magically appear in your local bookstore or library and you will pick it up. Naturally, this is completely ridiculous. I’m willing to bet that those who claim to be color blind own books with mostly white faces on the cover. This may not be intentional on their part, but since they don’t see color, they limit themselves from searching for books that have color in them and they don’t protest the lack of color and cultural diversity in books.

There are not many YA books out there about people of color so you have to make a conscious effort to look for them. When I was a young reader, I just read the most popular books, the ones everyone was reading (Beverly Cleary, Harry Potter, etc.) but I realized something really fast: the popular books rarely involved people who looked like me, or who came from different cultural backgrounds than the white norm. It wasn’t fair. I wanted to see more books about POC, but when I wandered the shelves of my local bookstores, I didn’t see very many, maybe one or two. This bothered me for a while, but I didn’t decide to do anything till I was older, getting ready to start high school. I started to do research. I looked up titles and authors who were/wrote about POC and armed with this knowledge, I headed back into bookstores. If the books weren’t there, I asked for them to be ordered. Oftentimes these books were in obscure locations that I wouldn’t have thought to look, more often than not though, my bookstore just didn’t carry them but they were always happy to order them for me. If I was color blind, I never would have done this. I would have kept reading the books that I saw prominently on display in my bookstores and libraries, books that did not have POC on them and/or were not about POC.

POC do not get on covers. I suppose this is because somewhere publishing companies have statistics (or have at least noticed trends) that show that people are more likely to read about white people than POC and that covers with white people sell better than covers with POC. This places the blame of the lack of POC on covers solely on the consumers. If we start buying more books with POC on the covers, publishing companies will put more of them on the cover and publish more books about POC. Also, why do some white people not want to read about POC? It’s important for families and teachers to talk about the importance of having tolerance for other cultures. Tolerance is developed from reading about cultures different from your own. BUT if we consumers don’t see many books with POC on the cover, we will continue to buy books with white people on the cover (and if we don’t see color, we won’t give this a second thought) and a whole generation of leaders will have grown up without reading about and respecting other cultures and then it’s the publishing companies fault. It’s a vicious cycle and instead of pointing fingers and blaming the publishing companies or the readers, let’s talk about how we can change the minds of both publishing companies AND readers. We can do this by buying books with POC on the cover and books that are about/by POC. This will send a message to publishing companies, that we don’t care who is on the cover, as long as the story is good, therefore, publish more books about people of color. If your book blog is dedicated to a certain genre, then start making an effort to read and review books in that genre that feature POC. We can send messages to our fellow readers by talking up the books about/by people of color, if you have a blog, you have a computer, so there are no excuses for not being able to find books about POC (Google anyone?) Reviewing books about POX does not mean we praise every single book about/by a POC. There is no free pass just for writing about a diverse group of characters (especially if they aren’t authentic), we should hold all books to the same standards; are they well written? Entertaining? Meaningful? It’s just an added bonus when the cast is multicultural.

Covers matter because they are the first thing (or one of the first things) that attracts us to a book. When you see a cover that is so unique, so breathtaking, laugh out loud funny or just plain weird, that gets your attention and draws you to the book. As a POC, seeing a cover with a POC on it, draws me in. I will pick up ANY book with a POC on it (and then read the summary to see if I actually want to read it) because sometimes I get tired of reading about blondes, brunettes,and feisty redheads (*eye roll* Why can’t you be a feisty blonde? or black-haired girl?) with blue, green or hazel eyes. People of color deserve to see images of themselves reflected on book covers, especially young readers. As children and teens of color grow we need to see ourselves reflected on book covers and in books to re-affirm that we are special and valuable because we don’t always get that reassurance from TV/movies, magazines or those around us which provides a crushing blow to self-esteem. I am one of many young people of color who at one point or antoher wanted to be white and cursed the fact that not only do I look different from everyone else, but I rarely see images of people who look like me in the media. That is a sad reality and conclusion to come to and I sincerely hope that in a small way, my blog along with others will help promote the works of POC enough that the next generation (regardless of skin color) will grow up with POC on book covers and will pick up the book without giving it a second thought except being excited about the story on the pages. When young readers (including myself) see POC on book covers, we get a boost of self-esteem and feel triumphant, happy in the knowledge that people will be walking around with a POC on a book cover (for a little while at least). They are seeing in color and will come to realize (if they haven’t already), that we all have some common experiences and trials regardless of skin color. It’s an eye-catching cover indeed that can convey all that with just one image of a POC.

People have already stepped up and begun working to promote books by/about POC. Check out Color Online, theHappyNappyBookseller, Crazy Quilts, Multiculturalism Rocks!, Gal Novelty, Asia on the Heart,World on the Mind, Bookish Blather, Good Books & Good Wine and the POC Reading Challenge. Oh and if you stop by my blog that would be pretty cool too and maybe, just maybe, it would be a great resource

Thank you, Ari!

Referenced Articles/Links for Further Reading:

N.K. Jemisin’s take on her German Cover

Justine Larbalestier’s article on the creation of book covers

Racebending.com’s take on whitewashing in YA novels

The Guardian UK’s article, “Fashion world stunned by Vogue for black” by Sarah Mower

American Community Survey Demographic & Housing Estimates (2006-2008)

aalbc.com’s article on African American Romance: “It’s All About Love: Romance Readers Speak Out” by Gwendolyn E. Osborne

Children’s Books by and about People of Color Published in the United States; Statistics Gathered by the Cooperative Children’s Book Center School of Education, University of Wisconsin-Madison

Justine Larbalestier’s article on why her protagonists aren’t white

An Analysis of South Asian & Diaspora Book Covers by Mary Anne Mohanraj

Neesha Meminger’s article on writing and publishing as a POC author, “Who Gets to Represent”

The Happy Nappy Booksellet thank you to Simon and Schuster’s POC covers

A Centralised article about Avatar: The Last Airbender from Racebending

Ursula LeGuin’s article on Slate.com about Whitewashing Earthsea

BBC News’ article about Alexander Dumas biopic and ensuing outcry

Welcome to another Sunday edition of our Smugglers’ Stash & News.

We shall start with some excellent news:

The Mysterious Benedict Society covers to be “Adjusted”:

The School Library Journal reported on the 26th that Little, Brown Books for Young Readers will be adjusting the covers of The Mysterious Benedict Society following complaints that the character Sticky Washington, which is described as having brown skin appear as white in the covers:

“We are adjusting the covers of all three titles immediately as they reprint in order to offer a more faithful rendering as soon as possible,” Melanie Chang, Little, Brown’s executive director of publicity and communications, told School Library Journal.

We couldn’t be more delighted with the news and as we said last week, proud to be a part of this awesome, vocal, dedicated group. However, let’s not forget that this has been going on for a long time and as awesomely urged by The Rejectionist in their post last week: No Retreat, Baby, No Surrender!

In Other News:

From the series: Things That Mystify and Baffle Us.

The Guardian reported that

Dictionaries have been removed from classrooms in southern California schools after a parent complained about a child reading the definition for “oral sex”.

Yeah, you heard us right. The Webster Dictionary was pulled from shelves because a parent thought it was not age appropriate for her child. The Dictionary. What comes next? A ban on the alphabet?

Because who knows what those perverted little minds can spell? We are seriously considering creating a special tag for archiving surreal news such as these, like “Aliens” or “Snow in Rio de Janeiro”. Perhaps “X-files”. Anyways, the ban was (somewhat) overruled and the parents can now opt out whether their child can or can not have access to the Dictionary.

In other more, uplifting news:

The Nebula Awards are the annual awards by the Science Fiction and Fantasy Writers of America to celebrate excellence in science fiction and fantasy writing. The 2009 Awards will be held May 14-16 at Cape Canaveral, Florida and nominations will start soon and be open till February 15th. Tor.com has a list of interesting titles for consideration.

In similar news, The British Science Fiction Association Award shortlist has been announced this week. We are ecstatic to see in the Best Novel category Ark by Stephen Baxter which was one of Thea’s top 10 books of 2009. Also, included are The City and the City by China Mieville and Lavinia by Ursula Le Guin, both books in our TBR piles – we must really get to read them soon!

The “Don’t Let Your Dream Fade” Contest:

Lisa McMann, author of the Wake trilogy and Simon & Schuster are running a really cool contest. Offering $1000 to a teen to further his or her dreams, whether it be for college, something arty, or even just not having to work a second job to have more time to focus on high school: they’ve asked teens to do a video blog (2 min or less) comparing their dreams to Janie’s, the main character in the Wake trilogy. You can read more about the contest here or check an example of one of vlogs already created for the competition on youtube.

A Teaser:

And finally, coming from Harper Teen this February:

28 Days of Winter Escapes

28 Fabulous Books. 28 Fabulous Authors. 28 Fabulous Blogs.

For 28 days this February, Harper Teen is offering up a book-a-day giveaway on its Winter Escapes website. For every day of the event, a different book will be featured and up for grabs on the official site – but also, the author of that particular book will be at a different partner blog to talk about their book. We are thrilled to announce that we Smugglers are part of the event, and will be having author Delia Ephron here on February 17th to talk about her featured book, The Girl With the Mermaid Hair.

It all starts tomorrow, with The Amanda Project: Book 1: Invisible I. Make sure to stop by the Winter Escapes website for a chance to win autographed copies of the books, and also be entered for a chance to win an iTouch.

Giveaway Winners:

We had two giveaways that ended yesterday!

Molly Harper Giveaway:

The two winners of an autographed set (each) of all three Jane Jameson books by Molly Harper are:

Wish Giveaway:

The winner of an autographed copy of Wish by Alexandra Bullen is:

Congratulations! You know the drill. Please send your snail mail address to contact (at) thebooksmugglers (dot) com and we will get the books to you ASAP.

This Week On The Book Smugglers:

On Monday, Thea finally gets a chance to read and review, post apocalyptic novel Veracity by Laura Bynum, a book she has been eyeing for some time.

On Tuesday, Ana reviews highly anticipated Fantasy novel The Hundred Thousand Kingdoms by N. K. Jemisin.

Wednesday sees Thea reviewing the sci-fi thriller Impact by Douglas Preston.

And then on Thursday Ana finally resumes her Historical Romance reading with a review of The Bride and The Buccaneer by Darlene Marshall.

Finally on Friday, we post a joint review of a book we both have been wanting to read for a long time and which comes highly recommend from several sources. The YA/Fantasy novel, Blackbringer by Laini Taylor.*

And that’s it from us today.

Have a nice Sunday, folks!

~ Your Friendly Neighborhood Book Smugglers

* EDITED above from Silksinger. We are reviewing the FIRST book in the series, titled Blackbringer.

Following Bloomsbury’s Whitewashing Cover Fiasco ‘09-’10 (Justine Larbalestier’s Liar and Jaclyn Dolamore’s Magic Under Glass), readers were able to make some small positive change resulting in the publisher’s book jacket retraction and subsequent re-issuance of new, race-conscious covers.

This is great news. Awesome news, in fact. And, as a community of vocal, impassioned readers, we should be proud. But, if the controversy surrounding Magic Under Glass has shown us anything, it is that COVERS MATTER. The whitewashing of Liar and Magic Under Glass are not isolated incidents – this is a problem that has pervaded the industry for a very long time, and continues today.

Thus, we have decided to start a monthly feature called “Cover Matters.” The motivation for this feature is not because we think we are influential or on some sort of blogger power trip. Rather, we simply care about covers and books. A cover is a book’s first impression; it’s the equivalent of eye-contact and a smile from across the room. Covers can be an important factor in noticing and deciding to purchase a book. Beyond the first impression, we reflect on covers whilst reading and after finishing a book too.

We want this feature to dedicate more separate space to a topic that has always intrigued, irked, and befuddled us. In these posts, we plan to touch on not only racist cover practices (as with Liar and Magic Under Glass), but other cover issues too (covers in poor taste, misleading or completely inaccurate covers, and, of course, covers that manage to get it right). We are writing these pieces because we do care about cover issues – whether they be about whitewashing, slenderizing, homogenizing, etc. Cover Matters does not have any agenda beyond creating a space for an ongoing discussion of book covers.

We plan on getting guests (bloggers, authors, publishers or even cover artists if possible) to join us for these monthly pieces, with the following question in mind: Do covers matter?

In closing, we’ve got a few cover-related issues around the web that we’d like to bring up.

Firstly, we’d like to draw attention to a post over at Bookshelves of Doom that takes a look at The Mysterious Benedict Society books. It seems that while the illustrations within the book are accurate and depict a character named Sticky as “a skinny boy with light brown skin, anxious eyes (though perhaps the anxiety came from not yet having recovered his breath), and a completely bald head,”

the covers of the books show a skinny, bald, white character instead:

These books have been around since 2007 and are published by Little, Brown Books for Young Readers. You can contact Little, Brown here:

Little, Brown Books for Young Readers
Publicity Department
237 Park Avenue
New York, NY 10017
publicity@lbchildrens.com

We encourage everyone to write to Little, Brown and share your feelings concerning these covers.

What else can you do, if you’re interested in these cover practices, beyond writing letters and blog posts? Well, you can also send a message via sales – and sign up for the Persons of Color Reading Challenge.

All you have to do is commit to reviewing as few as 1 and as many as 25 (or heck, more if you feel like it!) books from a POC author or featuring POC characters. You can find book and author suggestions HERE, and link your reviews to the challenge HERE. We are definitely on board and will make a conscious effort to review qualifying books this year.

Thirdly, as a direct result of the Magic Under Glass situation, a facebook fan group has been created, called Readers Against WhiteWashing with the following mission:

Whitewashing

* Fails to accurately represent race and diversity
* Says people of color do not matter
* Denies readers positive and diverse representation

RAWW is committed to public criticism of publishers who misrepresent characters.

We again encourage everyone to sign up and check it out.

Finally, we’d like to close our inaugural Cover Matters post we have a question for you, dear readers and please feel free to speak your mind:

Do covers matter to you? If so, how much? If not, why?

Welcome to another Sunday edition of our Smugglers’ Stash & News.

First up, we’ve got some fan-freakin-tastic news.

Bloomsbury Retracts Cover:

On Thursday afternoon, Bloomsbury officially announced that they will no longer be printing the offending cover of Magic Under Glass by Jaclyn Dolamore.

Bloomsbury is ceasing to supply copies of the US edition of Magic Under Glass. The jacket design has caused offense and we apologize for our mistake. Copies of the book with a new jacket design will be available shortly.

As with Liar, Bloomsbury is retracting the cover and will issue a new one.

Author Jaclyn Dolamore has posted on her blog that the new cover is underway, and it will be featuring a model of color:

You may have seen my vision of Nimira in my book trailer. I hadn’t shared this image with Bloomsbury at the time the cover was originally conceived (the trailer wasn’t created until November, after the book was done) but we’ll now be looking at models who look more closely like her, which I’m very excited about!

To everyone that posted about Bloomsbury’s racist cover practices, to everyone that tweeted about it, to everyone that called or wrote the publisher demanding change, thank you. You have all done it. As a community, we were able to make our voices heard, and together we were able to cause change. We are so incredibly happy and proud to be a part of this awesome, vocal, dedicated group.

But, as Ari of Reading In Color and the folks over at Bookshelves of Doom remind us, this one cover at Bloomsbury is not an isolated incident. Whitewashing of book covers is a practice that pervades the publishing industry. With that in mind, and because this is something important to us, we’ve decided to add a new feature to The Book Smugglers called “Cover Matters.” Starting on Monday, we plan to post at about cover issues at least once a month. We hope to be able to even have guests over for interview – bloggers, authors, maybe even a publisher (hey, it’s worth a try) – to go with the posts.

In Other News:

Lots of news today! First, if you haven’t heard, there is going to be an honest to goodness Book Blogger Convention this year! This will be a one day event, uniting book bloggers from around the world in New York City. The con will take place on Friday, May 28, 2010 at the NYC Seminar and Conference Center in New York City – which is pretty cool for folks that might be in town anyways for Book Expo America (May 25-27). Some of the topics to be covered include: Professionalism/Ethics, Marketing, Author/Blogger Relationships, Building Community, Writing/Building Content. While Ana won’t be able to make it, Thea has already registered for BEA and plans on making it to BBC as well! So, any other book blogger types that are in the area or planning on flying out, let us know! Bonus, the good folks running the convention have an awesome giveaway right now – book bloggers can enter for a chance to have their registration fee waived! Only one will win, but it’s worth entering, especially if you’re watching your budget. Registration for the con is currently open and available for a discounted rate of $90 (until February 14). So, hop to!

In other slightly belated news, the ALA has announced literary award winners for 2010 last week! Here are the big winners:

John Newbery Medal (for most outstanding contribution to children’s literature): When You Reach Me by Rebecca Stead
Newberry Honor Books: Claudette Colvin: Twice Toward Justice by Phillip Hoose, The Evolution of Calpurnia Tate by Jacqueline Kelly, Where the Mountain Meets the Moon by Grace Lin, and The Mostly True Adventures of Homer P. Figg by Rodman Philbrick

Randolph Caldecott Medal (for most distinguished American picture book for children):
The Lion & the Mouse illustrated and written by Jerry Pinkney.
Caldecott Honor Books: All the World illustrated by Marla Frazee, written by Liz Garton Scanlon; Red Sings from Treetops: A Year in Colors illustrated by Pamela Zagarenski, written by Joyce Sidman

Michael L. Printz Award (for excellence in literature written for young adults):
Going Bovine written by Libba Bray
Printz Honor Books: Charles and Emma: The Darwins’ Leap of Faith by Deborah Heiligman, The Monstrumologist by Rick Yancey, Punkzilla by Adam Rapp, and Tales of the Madman Underground: An Historical Romance, 1973 by John Barnes

Coretta Scott King (Author) Book Award (recognizing an African American author and illustrator of outstanding books for children and young adults): Bad News for Outlaws: The Remarkable Life of Bass Reeves, Deputy U.S. Marshal written by Vaunda Micheaux Nelson.
King Author Honor Book: Mare’s War by tanita s. davis

We are thrilled to see that the Printz went to Libba Bray’s AWESOME Going Bovine, which we reviewed last year. Also, Thea’s ecstatic that Rick Yancey’s truly excellent novel The Monstrumologist was honored as well.

Also, the Young Adult Library Services Association (YALSA), the fastest-growing division of the American Library Association (ALA), announced its 2010 Top 10 List of Best Books for Young Adults. And the titles are:

Demon’s Lexicon by Sarah Rees Brennan (Reviewed HERE and HERE)
The Orange Houses by Paul Griffin
The Great Wide Sea by M.H. Herlong
The Reformed Vampire Support Group by Catherine Jinks
Alligator Bayou by Donna Jo Napoli
Stitches: A Memoir by David Small
When You Reach Me by Rebecca Stead
Marcelo in the Real World by Francisco X. Stork
Lips Touch: Three Times by Laini Taylor
Written in Bone: Buried Lives of Jamestown and Colonial Maryland by Sally M. Walker

We’re thrilled to see Sarah Rees Brennan, Catherine Jinks and Laini Taylor honored on the list – and we’ve got a few books that we desperately need to read nowNowNOW.

This next item on the list is just really freaking awesome. Neil Gaiman (aka Ana and Thea’s writing GOD) has teamed up with comic book artist Jim Lee, letterer Todd Klein (who did the lettering for Neil Gaiman’s epic Sandman series) and the Comic Book Legal Defense Fund, and have put together a limited print run of an illustrated poem, “100 Words.” (Click to enlarge)

It’s beautiful, isn’t it? You can purchase a copy online via Neverwear.

Finally, one last bit of news. Last week, Thea finally got off her slacker-butt, and set up a Facebook Fan Page for The Book Smugglers. You can find us by clicking the handy button above (which is also in our left hand sidebar). Our posts automatically update there, and we’ll also pop in to make other bookish announcements. The reason for the page? Well, we received a few comments in our recent survey asking us to syndicate our feed over at Facebook, and…voila! Hope you all enjoy it.

This Week on The Book Smugglers:

On Monday, Alexandra Bullen, debut author of young adult fantasy novel Wish stops by on her blog tour, talking about what inspires her and you will have a chance to win a copy of her copy. Later, we will have our very first post in our new feature “Cover Matters,” in which we will take a look at whitewashing on the covers of books.

Tuesday, Thea reviews one of her most highly anticipated books of the new year, Robert Jackson Bennett’s apocalyptic-style/historical fiction/horror novel, Mr. Shivers. Also, Harry of Temple Library Reviews will be here, giving us a guest review of Circle of Fire by Keri Arthur (the first book in the Damask Circle Trilogy)

On Wednesday, we give you a double shot of Carrie Jones! First, we give a joint review of Need, and then later in the day Thea reviews the second book in the young adult fantasy series, Captivate.

On Thursday, Ana reviews Dia Reeves’ dark young adult debut novel Bleeding Violet. Her post will be followed by our first Guest Dare of 2010: Renee of Renee’s Book Addiction caves to the pressure (ours and her husband’s) and reads the first book in Tolkien’s Lord of the Rings – The Fellowship of the Ring.

Finally, on Friday we close out the week with a joint review of – squeee! – Archangel’s Kiss by Nalini Singh.

Phew. It’s a big week. Again. I’ll leave you with this awesome picture that I think encapsulates Ana and myself at times perfectly. Until next week…

A Bit of Background:

The Internets are full of rage again as Bloomsbury Publishing finds itself at the center of yet another book cover controversy. Remember the furore surrounding the cover of Liar by Justine Larbalestier? When readers found out that the intended cover of a book featuring a black protagonist was this…

…the outcry was so deafening that publisher issued its mea culpa and replaced the offending cover with this more acceptible one:

But, alas! It seems that Bloomsbury did not learn its lesson and has triggered the burning, fiery wrath of the interwebs once more. In the sage words of La Brittany, oops, they did it again.

Magic Under Glass by Jaclyn Dolamore:

As Ana pointed out back in December when she posted her review of debut YA fantasy novel Magic under Glass by Jaclyn Dolamore, another grievous instance of whitewashing has occurred. Magic Under Glass has a dark-skinned protagonist, and yet its cover features a white-skinned girl.

This time, unfortunately, the cover made it to publication, slipping past the attention of readers and bloggers. Perhaps Magic Under Glass remained under reader-radars because author Jaclyn Dolamore is a newcomer (and without the significant online clout that Justine Larbalestier & Scott Westerfeld have). Now that the book has been published, however, YA and other book bloggers are up in arms. Some are even calling for a complete boycott of Bloomsbury books.

Now, we agree that what Bloomsbury’s marketing/sales/publicity department is doing with its whitewashing of book covers is a heinous, inexcusable, racist practice. We absolutely agree that we, as bloggers, have an obligation to stand up, make our voices heard, and speak out against publishers that perpetuate these acts. As Anna North of Jezebel aptly points out, it seems that publishers like Bloomsbury are buying into the “self-fulfilling prophecy” that “black covers don’t sell.” (Or at least, they don’t sell BIG)

We agree that something must be done to put an end to the systemic de-colorization of novels. But boycotting the publisher – and, by proxy, the book – will not help matters. Quite the contrary. If you stop buying the book, the person most adversely affected is the author – the one person in this whole mess who has absolutely NOTHING to do with the cover (in fact, the vast majority of authors have little to no say concerning what their covers will look like). And why would you want to hurt the one person that actually wrote the awesome diverse, dark-skinned heroine in the first place? Not to mention the fact that, whitewashed cover aside, Magic Under Glass is one damn fine book. Ms. Dolamore’s work should be appreciated, her efforts celebrated – she should not be punished or threatened because of the poor judgement and practices of her publisher.

A Call For Action:

Instead, we call on YOU, dear readers, to speak up with us. Instead of boycotting Bloomsbury Publishing, we encourage you to CONTACT the publisher and make your voice heard. Join Reading In Color’s Open Letter to Bloomsbury Kids USA. Start a petition to get the publisher’s attention. Do whatever you can to make the message clear: we DO NOT approve of your whitewashed covers, and we demand change.

RE: Covers, In General:

It is clear that publishers pay less attention (what an understatement!) than they should to book covers – it is a problem that we are constantly complaining about here at The Book Smugglers. This is not by any means, an issue that is relegated to one genre or to one issue. Gender, race, size, genre, you name it – problems with covers abound everywhere. Consider:

Ursula LeGuin’s Earthsea Cycle (A Wizard of Earthsea, The Tombs of Atuan, The Farthest Shore) – in which Ged, the protagonist, is a young man with red-brown skin (in a world populated mostly by people that are red-brown, brown, or black). These covers (and the SciFi miniseries based on the books) are obviously a little off.

Everything Beautiful by Simone Howell – (a book that works because of its gritty realism) in which protagonist Riley is an overweight young woman, and yet on the US cover (again published by Bloomsbury!) is portrayed as anything but overweight.

And this is to say nothing of other book covers that are constant in their inconsistencies. Lise Haines’ Girl In the Arena portrays a cover model with long dark locks and a gladiatrix costume – when the main character, in fact, shaves her head very early on in the story and rocks the bald buzz cut for the rest of the book (including her stint in the Arena). Diana Peterfreund’s Secret Society Girl shows a model with long dark hair in prepster clothes – while protagonist Amy had short hair, and wouldn’t be caught dead in those clothes. Don’t even get us started on the myriad Urban Fantasy covers that have absolutely nothing to do with the material within.

And you know, the more we think about it, the more we realise, that this is a problem that is a concern to us readers because it reflects what we do and who we are as consumers. Because publishers only put those out because they think the alternative will not sell – a judgement based on what they assume we will buy. Just a bit of food for thought.

The call for war is laudable. We do have reasons to be up in arms. Shout! Write a blog post! Start a viral video campaign on Youtube or on your blog. Write a letter complaining to the Publisher or an email supporting the writer. But, for crying out loud, do NOT stop buying books.

Hi-yo! Another weekend, another stash. First, a few announcements…

Giveaway Winner:

The lucky winner of a copy of M.L.N. Hanover’s Darker Angels, book 2 in The Black Sun’s Daughter series, is…

Congratulations! You know the drill – send an email to contact AT the book smugglers DOT com with your snail mail address, and we’ll get your winnings out to you as soon as possible! Thanks to all that entered, and if you didn’t win this time, don’t worry. There’s plenty more where that came from.

Smugglerific Announcements:

Well, folks, it is official! You are now looking at the two newest bloggers for the fabulous Tor.com – home of Science Fiction, Fantasy, The Universe, and Related Subjects!

We are honored and thrilled to be part of the Tor blogging family, and are diligently working on our very first post there (which will be about Brandon Sanderson’s completely awesome Mistborn Trilogy). We’ll keep you up-to-date on our progress, and let you know once our inaugural post hits the site.

And in another big announcement, it’s nearly December…which means it’s almost time for Smugglivus! We have a number of fabulous guests lined up for this year’s event, and a shiny new poster in the works (thanks to the lovely KMont of Lurv a la Mode). Here’s a little teaser:

For those new to the site, Smugglivus (based on the non-denominational holiday, Festivus) is a monthlong celebration in which we invite our favorite authors and bloggers to post about their favorite books of the year, what they’re looking forward to in 2010, and what projects they have on the horizon. And of course, we end the celebration with the official rites – Airing of Grievances, Feats of Strength, and our very own Best of lists for the year, all culminating in our second year blogoversary.

Around the Internets:

Aidan Moher, prolific fantasy blogger that runs A Dribble of Ink posted last week about the irritations of repetitive fantasy covers, citing the art for Brent Weeks’ new title. This week, the debate concerning fantasy covers – innovation versus familiarity – rages on, in this thought-provoking discussion provoked by the upcoming cover of Mark Charan Newton’s Nights of Villjamur. We highly recommend checking out the comments – there are great points made on both sides of the cover argument.

In other news, we’d like to direct your attention to a new website, called The 5th Shelf. At first glance it looks a little like Shelfari and GoodReads had a lovechild – which isn’t too far off base. The 5th Shelf is a new website that is devoted to creating a “modern” version of the Harvard Classics (a 51-volume anthology of classic literature, compiled and edited by Harvard University president Charles W. Eliot in 1909). You can set up a free account on The 5th Shelf, and, as with GoodReads or other book networking sites, add your very own authoritative shelf of classics. The definitive list will be composed form the consensus of all members – which is pretty damn cool. We’ve signed up – you can check out the beginnings of our shelf HERE. And we hope others will sign up too!

This Week on The Book Smugglers:

On Monday, Thea reviews the highly anticipated new release from Pandemonium author Daryl Gregory, The Devil’s Alphabet. Will it live up to expectations, or fizzle flat?

Tuesday, Thea reviews Sarah Beth Durst’s newest novel Ice, a retelling of the Norwegian fairy tale East of the Sun and West of the Moon. Then, Ana reviews The Stepsister Scheme, the first in Jim C. Hines’ Princess Series.

Wednesday, Thea reviews Tainted by Julie Kenner, a new urban fantasy title, with a giveaway. Ana takes on The Mermaid’s Madness the second book from Jim C. Hines’ Princess Series.

Thursday, Thea takes a break and eats far too much Turkey while Ana reviews Madam Xanadu Volume 1: Disenchanted from Matt Wagner.

Friday, we close out the week with a joint review of the much lauded new release from Lev Grossman, The Magicians.

It’s another busy week here at The Book Smugglers, and we invite you to pull up a chair, enjoy some delicious Thanksgiving food, and relax.

Until tomorrow!

~ Your friendly neighborhood Book Smugglers

Sunday is here, Sunday is here! Which means it’s playoffs time!

Oh, yeah, and time for another stash.

Giveaway Winner:

Our lucky winner of the Angie Fox Dangerous Book for Demon Slayers swag is:

You know the drill: send us an email (contact AT thebooksmugglers DOT com) with your snail mail address, and we’ll get the book off to you as soon as possible. Thanks again to Angie for the great spotlight, and to everyone who commented and entered.

This Week on The Book Smugglers:

We have a fantastic week in store for ya. Starting on Monday we will have a spotlight on fabulous young adult author Melissa Marr, celebrating the release of the third book in her YA Urban Fantasy series, Fragile Eternity.

On Monday, we’ll have a joint review of Fragile Eternity. Hint: both Ana and Thea concur, this book is flat-out amazing and will make both of our top 10 lists for the year.

On Tuesday, Melissa herself will be here with a post on her inspirations and influences.

And on Wednesday, rounding out our Melissa Marr special, Jessica of Racy Romance Reviews will be here for her Guest Dare Review of Wicked Lovely.

On Thursday, Ana will review Jo Beverly’s new release, The Secret Wedding. And finally, on Friday, we’ll have an interview with Jo Beverly herself!

Phew. Told you it was gonna be a crazy week.

Ana Must Read or DIE:

We heard about this one via the always awesome crew over at Fantasy Book Critic, and Ana has decided she MUST have this book. Immediately.

Covers and Other Must-Have Books:

The cover for Don’t Tempt Me is out (thanks to Katiebabs as usual) – another book Ana must read or die.

And Thea cannot wait to read Nekropolis by Tim Waggoner. I mean, just look at this freaking sweet cover.

Here’s the rundown:

Meet Matt Richter. Private eye. Zombie.

His mean streets are the city of the dead, the shadowy realm known as Nekropolis. And in this first case, Richter must help a delectable half-vampire named Devona recover a legendary artifact known as the Dawnstone, before it’s used to destroy Nekropolis itself. That is, if he can survive the myriad horrors that infest the city itself.

Pulp and proud, cracking wise like we just dug up the rotting corpse of Dashiell Hammett and put him back to work at his typewriter, Nekropolis is just the first of a trio of fabulous urban fantasies Angry Robot will be bringing you from the mighty Tim Waggoner. Originally published as a limited run novella, the expanded Nekropolis is the definitive version of this massively entertaining series opener.

Hell. Yes.

And that’s about it for now! Time to get back to basketball. Until next time…

Another weekend comes to a close, but worry not! We have another busy week ahead.

First, some housekeeping…

Thanks to Julia Quinn for stopping by for the lovely chat! And we have our winners–drumroll please–

Barbara and Kara

You have both won one book each of your choice from Ms. Quinn’s backlist! Drop us an email (The Book Smugglers AT hotmail DOT com) with your pick and your address and we shall ship them off to you as soon as possible.

Around the Blogosphere:

Perusing Urban Fantasy Land, we found these awesome new covers! First, here’s the beautiful cover for Melissa Marr’s third young adult fantasy novel, Fragile Eternity.

As it turns out, there’s a Manga in the works set in the same universe as well! Per Melissa’s Blog, even though the cover says Wicked Lovely, it isn’t a manga version of the novel. Both Fragile Eternity and Wicked Lovely: Desert Tales, Sanctuary hit shelves in April 2009.

Copies of Richelle Mead’s latest Vampire Academy novel, Shadow Kiss (book 3) have been creeping early onto retailer shelves! I snatched up my copy this weekend. Hell yes. The official release date is November 13, 2008…but if you’re lucky, you might get your hands on it early.

This Week at The Book Smugglers:

On Monday, in honor of its second printing in paperback, we’ll have a review of speculative fiction author Michael Stone’s Fourtold. Fourtold is a collection of four dark fantasy/horror stories, with an introduction by World Fantasy Award winner Garry Kilworth. On Tuesday, we’ll have an interview with the talented Mike Stone, about his work, his inspirations for the stories, and plans for the future. Make sure to stop by and check it out!

Wednesday, Thea will review the brand spankin’ new Juliet Marillier book, Heir To Sevenwaters (Sevenwaters book 4). This quite possibly could be Thea’s favorite book of 2008!

The chieftains of Sevenwaters have long been custodians of a vast and mysterious forest. Human and Otherworld dwellers have existed there side by side, sharing a wary trust. Until the spring when Lady Aisling of Sevenwaters finds herself expecting another child—a new heir to Sevenwaters.

Then the family’s joy turns to despair when the baby is taken from his room and something…unnatural is left in his place. To reclaim her newborn brother, Clodagh must enter the shadowy Otherworld and confront the powerful prince who rules there.

Thursday, we’ll have another Powerpuff Joint Review–Bubbles (aka Ana) and Blossum (aka Katie) will take on Jo Goodman’s new release, The Price of Desire.

Olivia Cole is devastated to learn that her ne’er-do-well brother has promised her to the operator of a London gaming hall as payment of his debts. Olivia accepts her fate – even if it means that her reputation will suffer from living among rogues and gamblers. But when she meets the sexy and mysterious Griffin Wright-Jones, the Viscount of Breckenridge, Olivia has more than just her good name to worry about – for he rouses in her wanton thoughts she’s never dared entertain – until now…Griffin wears the scars of his life on his striking face. Although he wants Olivia like no other woman before, eh doesn’t force her to share his bed – a difficult task considering how beautiful she is. But with each passing night, Griffin and Olivia’s resolve weakens until finally they take their greatest gamble on one night of reckless pleasure.

Friday, we’ll close out the week with another Guest Dare! This time on the chopping block, it’s young adult author Karen Mahoney, as she tackles an old school romance novel–Loretta Chase’s Lord of Scoundrels.

And, A Cryptic Announcement:

SMUGGLIVUS…is coming.

What is Smugglivus, you may ask? It’s kind of like Festivus (from Seinfeld). We will have authors and bloggers over during the month of December, to celebrate the year in books. And we’ll have our own Feats of Strength, Airing of Grievances, etc. More information to follow!

NINJA VANISH!

*Tag teams Katiebabs*

Look at the beautiful cover for the next installment of Kresley Cole’s Immortal After Dark series! A big thank you to the great Katie and and to the awesome Meljean Brook for this gift!

So what do we think? I have to say, this is my favorite cover so far. It certainly is a long looooooooooong way from those cartoonish covers – remember a Hunger Like No Other (book 1)?

Kiss of The Demon King by Kresley Cole is to be released February 2009.

Here is the summary:

His obsession: the enchantress who surrenders her body, but not her heart.

After Sabine, the Queen of Illusions, lures and traps Rydstrom Woede in her lair, the ruthless warrior fights to resist her seduction. But his fierce demon nature lusts for her delicate body and won’t be denied. Even as Rydstrom plots to escape, he still intends to claim Sabine as his own—on his terms.

Her downfall: the battle-scarred demon who vows to keep her at all costs.

When Rydstrom breaks free, her abducts Sabine, turning the tables. Now she’s the one struggling to resist his delicious torment. With each relentless encounter, Sabine hungers more for her merciless adversary.

They were never supposed to want each other this much. . . .
If they can defeat the sinister enemy that stands between them, will Sabine make the ultimate sacrifice to save her demon? Or will the proud king lay down his crown and arms to keep his sorceress?

I can not wait!