Another Sunday, another stash!

After taking a week off of reviewing to read (OMG!), recuperate our sanity, and fortify ourselves for the weeks ahead, we are back, with a vengeance! First, a few tidbits of news.

Giveaway Winners:

We had quite a few giveaways this week – we’re shameless like that. And now we have a few winners to announce!

The winners of the Jeri Smith-Ready Giveaway, taking home a copy of Wicked Game and Bad to the Bone, are:

The winner of Shade Fright by Sean Cummings is:

And, the winners of Dark Life by Kat Falls are:

Congratulations to all the winners! You know the drill. Send us an email (contact AT the book smugglers DOT com) with your snail mail address, and we will get your goodies out to you as soon as possible. Thanks again to all that entered!

And don’t forget, our giveaway of Wherever Nina Lies by Lynn Weingarten is still open!

Patricia Briggs’ Silver Borne Book Tour:

When mechanic and shapeshifter Mercy Thompson attempts to return a powerful Fae book she’d previously borrowed in an act of desperation, she finds the bookstore locked up and closed down.

It seems the book contains secret knowledge-and the Fae will do just about anything to keep it out of the wrong hands. And if that doesn’t take enough of Mercy’s attention, her friend Samuel is struggling with his wolf side-leaving Mercy to cover for him, lest his own father declare Sam’s life forfeit.

All in all, Mercy has had better days. And if she isn’t careful, she might not have many more to live…

ZOMG! We’ve only got a month to wait until the official release of the fifth Mercy Thompson book, Silver Borne! To promote her newest title, the awesome, esteemed Patricia Briggs will be traveling the west coast on a book tour where she will sign books and answer reader questions. If you are lucky enough to live in one of the tour cities, we HIGHLY recommend making your way out to a signing. Patty Briggs rules.

Silver Borne officially hits shelves on March 30, 2010. You can read the first chapter of the book online HERE.

Steampunk Week Teaser:

A bit of a teaser now. We Smugglers have planned our next big event – in two week’s time, we shall host the first of our two-part Steampunk Week! Details will follow soon, but for now we give you our official posters for the event (courtesy once again by the fantastic, amazing, incredible KMont of Lurv ala Mode)!

We’ll have guests, posts about the steampunk subgenre, and, of course, steampunk reviews galore.

This Week on The Book Smugglers:

On Monday, Thea reviews YA speculative fiction title NUM8ERS by Rachel Ward. We’ll also have a grand prize giveaway opportunity for the book’s release, so stay tuned for a chance to win.

Tuesday, Ana reviews Something About You, the newest book-crack title from Julie James! We’ll also have a copy of Something About You up for grabs.

Wednesday, we have Urban Fantasy/Paranormal author Stacia Kane over for another Interactive Q&A and giveaway opportunity to celebrate the shiny new release of her latest Megan Chase novel, Demon Possessed! Also, Thea reviews Incarceron by Catherine Fisher – a YA dystopian novel that blew her away.

On Thursday, Ana reviews the brilliant, poignant YA novel The Sky Is Everywhere by Jandy Nelson. Later, Thea reviews Shades of Grey by Jasper Fforde – one of her hands down favorite reads of 2010.

On Friday, we have a joint review of new title Spider’s Bite, as author Jennifer Estep changes gears from lighthearted paranormal romance to gritty urban fantasy.

Finally, on Saturday, we are having a crazy wicked cool giveaway, courtesy of Simon & Schuster to celebrate the release of Kresley Cole’s newest novel in her Immortals After Dark series, Pleasure of a Dark Prince.

#1 New York Times bestselling author Kresley Cole enraptures again with this seductive tale of a fierce werewolf prince who will stop at nothing to protect the lovely archer he covets from afar.

A DANGEROUS BEAUTY…

Lucia the Huntress: as mysterious as she is exquisite, she harbors secrets that threaten to destroy her — and those she loves.

AN UNCONTROLLABLE NEED…

Garreth MacRieve, Prince of the Lykae: the brutal Highland warrior who burns to finally claim this maddeningly sensual creature as his own.

THAT LEAD TO A PLEASURE SO WICKED….

From the shadows, Garreth has long watched over Lucia. Now, the only way to keep the proud huntress safe from harm is to convince her to accept him as her guardian. To do this, Garreth will ruthlessly exploit Lucia’s greatest weakness — her wanton desire for him.

We will be giving away 20 COPIES of Pleasure of a Dark Prince!

It’s another crazy week…

A few weeks back, we had an official Reader Survey, in which we asked for your input for content here on The Book Smugglers. One comment we received got the wheels a-grinding, and since we love these specials like this over at A Dribble of Ink and Harry Markov’s Reviewer Time, we’ve decided to hold our very own “On The Smugglers’ Blogroll” feature.

Every month, we will showcase two blogs – one old favorite from our blogroll, and one newly discovered blog. These will usually be book-centric blogs (since, hey, that’s what we do!), which we will be drawing your attention to because they are that damn good.

For our inaugural On The Smugglers’ Blogroll post, we’ve got old favorite Fantasy Cafe and newly discovered Jawas Read, Too!.

FANTASY CAFE

Fantasy Cafe is run by the truly awesome Kristen, a fellow female book nerd, dedicated to in-depth reviews of novels of the fantasy persuasion (though she also reviews some Science Fiction, Urban Fantasy, and Young Adult, amongst other genres).

You might notice that we reference Kristen and her reviews a whole bunch here on The Book Smugglers. It’s for good reason – Kristen writes some of the most informative, concise, and entertaining reviews out there. We’ve had Kristen over for Smugglivus twice, we’ve guest blogged over at her site, and we’ve had her over here for guest reviews.

It’s no secret that we are huge fans. If you haven’t checked out Fantasy Cafe yet, you really should get over there and dig in. Kristen, quite frankly, rocks.

Favorite Reviews:

• Bone Crossed by Patricia Briggs
• Lips Touch: Three Times by Laini Taylor
• Fire by Kristin Cashore
• My Soul to Keep by Tananarive Due
• Kushiel’s Dart by Jacqueline Carey
• The Player of Games by Iain M. Banks
• Melusine, The Virtu, The Mirador, and Corambis by Sarah Monette

The list goes on…

JAWAS READ, TOO!

Jawas Read, Too! is a blog we’ve only just discovered – and have quickly bookmarked and fallen in love with. Erika, the Jawa-phile behind the blog, has an eclectic taste in books that matches our own, with a focus on Science Fiction & Fantasy. Her recent reviews include Still Alice by Lisa Genova, Perchance to Dream (Theatre Illuminata book 2) by Lisa Mantchev and Extras by Scott Westerfeld.

Erika’s reviews are thorough, include plenty of examples from the text under scrutiny (which is always helpful), and she also offers commentary on publishing news, literary awards, etc. Seriously cool stuff.

Plus…how awesome is the title of her blog? Who doesn’t love Jawas? We *love* her answer to the question “Do Jawas Really Read?”:

Yes, frequently. They’ve got an eclectic taste–as I’m sure you do, too! Found within the junk heaps of the Jundland Wastes of Tatooine are the hidden gems they never expected to be quite so shiny. And then the excitement begins: much chittering, squeaking, and hand waving.

Have you ever felt the same way browsing in a bookstore? I have. If this sounds familiar, settle down, get comfy, and share my excitement (or unexpected let downs)!

We likey.

And that concludes our first ever “On The Smugglers’ Blogroll” showcase! Now we ask the question to you, dear readers! What blogs do you read? Have you discovered any new, noteworthy sites? Let us know if you have or know of a blog that you’d like to see featured on next month’s edition of On The Smugglers’ Blogroll…

Happy Saturday to you all!!!

We have a very special giveaway today: courtesy of Simon and Schuster UK, we have three Advanced Reading Copies of Dark Life by Kat Falls. The book is not out until April but you can get your hands on one copy here, today.

The Book:

Dark Life by Kat Falls

Genre: Young Adult, Sci Fi

Publisher: Simon & Schuster UK
Publication Date: April 2010
Paperback: 304 pages

Ty has lived under the ocean for his entire life. Following global warming and the rise of the seas, his family joined an underwater community in hopes of living in the new frontier of the ocean floor. But When Ty meets Gemma, a girl from “topside”, who is searching the seas for her brother, she quickly makes his life very complicated. Together Ty and Gemma face dangerous sea creatures and venture into the frontier town’s rough underworld as they search for her missing brother. But the deeper they dig, the more attention they attract, and soon Ty and Gemma find themselves being hunted by a gang of outlaws who roam the underwater territories causing havoc, and who seem to have eerie abilities. But Ty has a secret of his own, living underwater for his entire life has meant he has also developed a “special” power. Can he keep it a secret from Gemma and his family or is it time for him to finally tell everyone the truth?

The Widget:

The Author:

Kat Falls grew up in Silver Spring, Maryland and now teaches at NU, where she is continually inspired by her students’ creativity. She started writing DARK LIFE as a writing exercise. Knowing that her 12-year-old son loved reading about the ocean, Wild West pioneers and, of course, the X-Men, she combined his interests and created the premise for a story that kept her up nights plotting and world-building. Kat lives in Evanston, Illinois with her husband, theatre director Robert Falls, their three lively children, two cats, two guinea pigs and a snake named Poncho.

THE GIVEAWAY:

We are giving away THREE ARC copies of Dark Life ! The contest is open to US and UK ONLY and will run today Saturday 27th, for 24 hours only, until 11:59pm (PST). In order to enter, all you have to do is leave a comment here. Only ONE comment per person, please! Multiple entries and/or duplicate comments will be automatically disqualified. Good luck!

Cover Matters is a new monthly feature in which we examine the medium that is first contact between a reader and a book: the cover. This feature will dedicate more separate space to a topic that has always intrigued, irked, and befuddled us. We will be talking about issues such as whitewashing practices, covers in poor taste, misleading or completely inaccurate covers, clichéd covers and, of course, covers that manage to get it right. We plan on having guests (bloggers, authors, cover artists, and publishers if possible) join us for these monthly pieces, with the following question in mind: Do covers matter?

In this first issue, we will be examining the practice of whitewashing of covers. We begin by taking a look at a few examples of Whitewashing over the ages, following up with an examination of the rationales justifying this practice. We proceed to talk about problems of whitewashing, as this form of discrimination has much broader implications in not only the publishing and book world, but in the real world as well. We finally conclude the post with a call for awareness and a guest article by the eloquent and passionate Ari from Reading in Color.

Introduction:

In books, to whitewash is to use a white representation for a character that is not white. If you have been anywhere near the wonderful world of book blog internetting for the past few months you are probably aware of two major cover fiascos, in which publishing house Bloomsbury used white models on covers to represent non-white protagonists. After the huge online outcry the covers of Liar by Justine Larbalestier and of Magic Under Glass by Jaclyn Dolamore were retreated and replaced:

As much as we, and probably the rest of the world (as some of the comments we have seen point to), would like to think that these are only but sporadic, isolated incidents, unfortunately this is not so. The practice has been going on for a long, long time, and it is not confined to one genre or one race, nor is it solely an American issue, either:

Example 1: Octavia Butler’s Dawn

Dawn is the first book in Octavia Butler’s Xenogenesis series and her protagonist Lilith Iyapo (the standing woman in the cover to your left), is described as “an imposing black woman” (quote from NK Jemisin’s article). The first cover published in 1987 was replaced with the cover on the right in the 1997 edition, 10 years later.

Example 2: Ursula Le Guin’s Earthsea Quartet and Powers

Ursula Le Guin is a Fantasy author known for writing multiracial characters. Her Earthsea quartet for example features dark-skinned characters, however early books depict white-skinned ones on the covers.

Similarly, the arc of her 2007 release Powers, which features a POC as the main character, was distributed with the cover on the left. Thankfully, the publishers fixed the mistake in time for the release.

Example 3: LA Banks’ Crimson Moon Books

The Crimson Moon books features a protagonist who is half-creole, half African-American and the four covers in the series are completely all over the place in portraying said protagonist. The latest cover is the only one that comes close to Sasha’s honey, darker skin tone.

Example 4: Cherry Cheva’s She’s So Money

The protagonist of this 2008 book is Asian (Thai to be more precise).

Example 5: Esther Friesner’s Sphinx’s Princess

This 2009 novel and 2010 sequel, about Nefertiti, the Egyptian Queen has a very white, European looking model on its covers.

Example 6: The Dragon and The Stars Anthology

This anthology edited by Derwin Mak and Eric Choi, and featuring fantasy, myth, and science fiction stories by and about ethnic Chinese writers from around the world – including Hong Kong, the Philippines, Singapore, Canada and the United States….and it has a European Dragon on the cover. (Never mind the fact that the book isn’t even about dragons)

Example 7: German cover of NK Jemisin’s The Hundred Thousand Kingdoms

The protagonist of this fantastic novel is thus described:

I am short and flat and brown as forestwood, and my hair is a black-curled mess. Because I find it unmanageable otherwise, I wear it short. I am sometimes mistaken for a boy.

So who is the person depicted in the cover of the German version?

According to the author, the German editor has declared that the woman in the cover is not meant to depict anyone in the book. It is a random person. She has been advised:

by other pro authors that this sort of thing — art that’s got nothing to do with the book — is common among foreign publishers, who go in more for “symbolic” rather than “representative”/”realistic” like us USians prefer.

We remain baffled as to how a blonde, random woman in lieu of a dark-skinned woman could “symbolise” anything other than racism. This is a choice and a choice that brings us to the point of this post.

“Explaining” Whitewashing

The most dominant rationale we have seen for justifying whitewashing of covers (and movies, etc) is the simplistic argument:

We have a few problems with this argument. First, we should disclose that we do NOT have any hard data (although if anyone does have access to sales figures, we’d love to hear from you), and as such, we must deal with largely anecdotal and other secondary evidence.

That said, it seems to us that the argument that the statement, “PoC Covers Don’t Sell” seems more than a little disingenuous. First off, there aren’t very many books with PoC representation on the covers out in the market to begin with! Check out one informal survey done by a blogger cited at Racebending.com, in which a paltry 2% of 775 YA books looked at had PoC on the covers. This is a small sample, but from our experience, it feels pretty representative. Go into the YA or SF/F section of your book store and take a look at the covers. We’re betting about 2% of those covers depict a PoC (if that). In this sense, yes, PoC covers don’t sell…but that probably has something to do with the fact that there aren’t any significant number of them out there. And while we’re on the argument that covers with PoC on them do not sell, take a look at the July issue of Italian Vogue. The issue, in the midst of a huge slump in advertising and sales for fashion magazines, sold out completely in the USA and UK, causing a rush second printing of 40,000 copies. This hot-selling, record breaking issue was the “Black Issue” and only featured black models. For a relatively small circulation magazine, this is huge news. While we know that matching book publishing to magazine publishing is an apples to oranges comparison, we do think it’s an interesting trend to at least note.

Following and related to the argument that POC-cover books will not sell, the second major argument we have seen in the rationale for whitewashing covers is:

There’s a whole lot wrong with this argument. First, it assumes that the majority of “readers” are white. We live in a very diverse world – in the United States alone, over 38% of the population is a race other than white (according to the American Community Survey Demographic & Housing Estimates from 2006-2008, and separating “Hispanic/Latino” from the “white” classification). Demographics aside, this argument is also flawed as it assumes that readers can only relate to books about characters that are similar to themselves. What does that say about books with vampires or werewolves or blue aliens on the covers? Is the message, then, that readers can eagerly relate to these covers and these different species’ of characters – but cannot relate to something so removed as another human of a different race? What does this say of PoC audiences that read books with predominantly white protagonists? This argument implies that they either have more mental fortitude and adaptive prowess than their white brothers and sisters, or that their being able to relate to white characters simply isn’t as important than whites being able to relate to non-whites. Any way you cut it, it’s insulting to all those involved.

Besides the Young Adult category/genre, we’ve seen this argument of non-relatability applied especially in the romance field – in particular, with African-American Romance. Attempts at “Crossover Marketing” (Marketing African-American Romance in the Romance section as opposed to segregating it to the A-A Section) were met with this brand of criticism, for example from the Arlington Morning News (from aalbc.com):

In an Arlington Morning News story about crossover marketing of African-American romances, a magazine publisher indicated that the covers, which show Blacks in Afrocentric styles, might make white readers uncomfortable.

“There are many people who might see the covers of the books, which often feature women with braids or short kinky cuts and men with clean-shaven heads and dark skin, as being too black and in-your-face” She went on to suggest covers without people.

As we’ve said before, this is a problem that pervades the publishing industry, across genres. Again, the same assumption presupposes this reporter’s argument (a white person is not too white for PoC readers, but PoC characters are too “colored” and “in-your-face” for white readers). The point is, these sorts of assumptions about white and PoC readers are insulting to ALL involved – to both persons of color, and white readers alike.

Problems & Implications of Whitewashing

The problems inherent in whitewashing of covers extends much further than a mere book. The practice is indicative of a larger problem that is prevalent in the publishing world, and in our own world, as readers and humans. Even before a cover is placed on a book and may be whitewashed, there are numerous obstacles and problems that face PoC writers. You may have noticed that many books with PoC protagonists are written by white authors, especially in the YA arena. In fact, the whole impetus for our “Cover Matters” posts were two such books – both Liar and Magic Under Glass are books with PoC protagonists, and are written by white authors. According to statistics taken from the Children’s Cooperative Book Center at the University of Wisconsin-Madison, this trend is the norm:

We want to make it very clear that we think that it is TOTALLY awesome that white authors write about POC. We want diversity! We live in a diverse world, we want diverse characters that represent the real world! Justine Larbalestier has written a great article about why her protagonists aren’t white, that we encourage everyone to read.

However, the discrepancy between books written about PoC and by PoC is interesting, and also worthy of note. Take, for example, Mary Anne Mohanraj’s experience with “The Red Sari” phenomenon for her Bodies In Motion cover. Ms. Mohanraj explains:

My original cover was an ‘artsy, literary’ cover, but under market pressure, the cover was changed to an image of a brown-skinned woman with wet skin, wrapped in a red sari. I had heard that this was common for the covers of S. Asian books, so I eventually decided to do some research and see if that was actually the case.

Ms. Mohanraj put together a presentation of her findings for the 2008 SALA Conference in San Francisco, which you can read about online here: South Asian & Diaspora Book Covers.

For another perspective, we’d also like to call your attention to a post by POC author Neesha Meminger, “Who Gets to Represent”. Of her experiences, Ms. Meminger says:

When white authors write characters of colour, their careers are not hindered. In fact, they may get the traditional pat-on-the-back response whenever the privileged represent those they have privilege over. When authors of colour write books featuring white protagonists and all-white casts, their careers are not negatively impacted. I am not applauded or thanked when I write white characters in my books because I am expected to.

Certainly a valid point. She then goes on to say:

When authors of colour dare to feature protagonists of colour, or people their books primarily with characters of colour, our challenges to getting published are vast. If we do somehow manage to get published, our books are “educational,” or about race and “other”-ness — and we are almost never lead titles. Many of us struggle to get a second book published (Mitali Perkins waited over ten years to have her second book published), and to get the marketing and publicity support we need to reach our audience. (This last bit is probably true for the majority of authors, regardless of race or background, but it is definitely compounded for PoC).

So, What Can We Do?

Whitewashing of covers is a problem. It is a concrete, visual representation that can be held in our hands, of a much larger moral and social problem, namely: Racism. If you think that we are exaggerating, that covers don’t matter, that what matter are the stories inside a book, that this is the 21st century after all and we all have come a long way, perhaps you should consider the following:

- Most of the examples given above happened in the past 5 years, some of them are happening right now.

Whitewashing is not something that is relegated to the book industry either to wit:

- In 2008, L’Oréal was accused of Whitewashing Beyonce on their advertisement on an issue of Elle Magazine.

- The 2010 movie Avatar: The Last Airbender, which is based on a Nickelodeon’s cartoon and is “set in a fantastical Asian world,” depicting a multicultural world and multicultural characters. However, the casting of the movie is largely Caucasian – for the heroes, that is. The villains, however, are represented by PoC.

- Last Friday it hit the news that Gerard Depardieu will be playing the role of Alexandre Dumas in a new movie about the writer who was of mixed race and suffered racism when he was alive. Gerard Depardieu had to “darken his skin and wear a curly wig” to play the role.

And the list goes on.

So, the question we need to ask ourselves is this: what can we do about all of this mess? There is no easy solution for this of course – you can’t make a racist, not racist. You can’t make people who think they won’t relate to a PoC in a cover of book or a magazine, or in the lead role of a movie change their minds.

Where to start?

Awareness is important. Be aware of cover issues, for example, and don’t deny that there is a problem (i.e. “marketing departments are so busy, maybe this is not a racist issue at all”). Be aware that there is such a thing as White Privilege, and what exactly it means (check out this article from The Story Siren on her experience with White Privilege). There will a whole bunch of links at the end of this article as well, and we highly recommend you read them.

If you want to actively do something, you can start by reading more books by PoC, about PoC and with PoC on the covers – and the numbers will start to change. Check out the PoC Reading Challenge or join the Readers Against Whitewashing Facebook Page.

Publishers: if you are publishing a book about a PoC, OWN IT. Like for example, Simon and Schuster and Angry Robot are two publishers that are publishing great books about and by PoC with great covers too.

The truth is this: if we just sit back and let it pass, we will still be seeing whitewashing in the 22nd century and beyond.

And this is what we have to say on the subject; we admit we got carried away. The more we read, the more interested we became, and the post ended being more of an essay than anything else. We have learnt a lot in the process, we might even have shed a tear or two reading articles and watching videos at Racebending ( a site we highly recommend you all to check it out, it is eye-opening).

To finalise, we would like to give the floor to Ari, from Reading in Color. She is the teenager who wrote that amazing letter to Bloomsbury when the Magic Under Glass cover debacle occurred, and her words have inspired several articles and blogs about the subject. We asked Ari: Do Covers Matter?

Covers Matter

A huge thank you to Ana and Thea for inviting me to express my opinions here at The Book Smugglers. Like most bloggers I love to talk, rant, discuss and listen so I’m excited for this new feature they will be having called Cover Matters because it’s an important topic and one that we need to talk about.

I think YA book covers (I mostly read YA so I can’t compare my thoughts on this subject to adult fiction book covers) have lots of problems (skinny models vs. overweigh models, boys vs. girls, headless people, etc.) However, in this post I want to focus solely on whitewashed covers because they are the most distressing of all covers.

If you follow the book blogging world, especially the YA blogosphere then you have undoubtedly heard all about the Liar and Magic Under Glass cover controversy. A brief refresher: Bloomsbury USA whitewashed both covers of these books. That means that, although the books were about African American (in Liar the main character, Micah is biracial) or “dark-skinned” (the main character, Nimira in Magic Under Glass is described as such) girls, the covers had white models on them. This is wrong, pure and simple. The whitewashing of covers has been an eye opener to many in the blogging community.

The message a whitewashed cover sends is that POC are worthless, that we mean so little that even if a book is written about us, we can’t be on the cover because the image of a POC won’t sell. Even if a book is about a certain topic, the cover can be completely different from the story as long as it sells. Now I want everyone to step back and think about this. Are you back? Is that not completely ridiculous? For all the “color blind “folks, let’s take color out of the equation. It would be like having a vampire on the cover of a book about a witch or a dog on the cover of a book about a horse, etc (except it’s 100x worse to whitewash a cover). Wouldn’t you be mad or at the very least puzzled? POC can read about white people, that’s “normal” and expected. But ask some white people to read about a POC and it’s a problem, “there aren’t many books about POC in my favorite genre” or “I don’t see color so I shouldn’t have to alter my reading habits.” I admit that I always thought it obvious as to why whitewashed covers are wrong, but I received a rude awakening when I started reading comments on other blogs that said things like “so?” or “I don’t really care because I don’t see color. I just read the story if it sounds good.” This is troubling for a few reasons.

First, the idea of “not seeing color” is ridiculous and sad. It’s sad because we live in a colorful world, with people who are all different shades. If you don’t “see color” then to me, you are saying I don’t recognize the beauty of all people who are of different hues. People come in all different colors and we should see this beauty and appreciate, not ignore it. If you’re white, you are colorless to a certain degree but that’s not bad! I certainly don’t think white people should feel bad for being white or pale (ugh don’t get me started on tanning! Tanning beds are one of the creepiest things in this world), everyone should be accepting of their own skin color as well as others.

I understand the intention behind “not seeing color”. This mindset states that you only judge a book based on the story within the pages, not on the cover. The idea being that you will read any book that appeals to you and that therefore you are not narrow-minded because you would read a book about a person of color (POC) it just hasn’t been written yet. As if, once a book is written in your favorite genre and it’s about a POC, it will magically appear in your local bookstore or library and you will pick it up. Naturally, this is completely ridiculous. I’m willing to bet that those who claim to be color blind own books with mostly white faces on the cover. This may not be intentional on their part, but since they don’t see color, they limit themselves from searching for books that have color in them and they don’t protest the lack of color and cultural diversity in books.

There are not many YA books out there about people of color so you have to make a conscious effort to look for them. When I was a young reader, I just read the most popular books, the ones everyone was reading (Beverly Cleary, Harry Potter, etc.) but I realized something really fast: the popular books rarely involved people who looked like me, or who came from different cultural backgrounds than the white norm. It wasn’t fair. I wanted to see more books about POC, but when I wandered the shelves of my local bookstores, I didn’t see very many, maybe one or two. This bothered me for a while, but I didn’t decide to do anything till I was older, getting ready to start high school. I started to do research. I looked up titles and authors who were/wrote about POC and armed with this knowledge, I headed back into bookstores. If the books weren’t there, I asked for them to be ordered. Oftentimes these books were in obscure locations that I wouldn’t have thought to look, more often than not though, my bookstore just didn’t carry them but they were always happy to order them for me. If I was color blind, I never would have done this. I would have kept reading the books that I saw prominently on display in my bookstores and libraries, books that did not have POC on them and/or were not about POC.

POC do not get on covers. I suppose this is because somewhere publishing companies have statistics (or have at least noticed trends) that show that people are more likely to read about white people than POC and that covers with white people sell better than covers with POC. This places the blame of the lack of POC on covers solely on the consumers. If we start buying more books with POC on the covers, publishing companies will put more of them on the cover and publish more books about POC. Also, why do some white people not want to read about POC? It’s important for families and teachers to talk about the importance of having tolerance for other cultures. Tolerance is developed from reading about cultures different from your own. BUT if we consumers don’t see many books with POC on the cover, we will continue to buy books with white people on the cover (and if we don’t see color, we won’t give this a second thought) and a whole generation of leaders will have grown up without reading about and respecting other cultures and then it’s the publishing companies fault. It’s a vicious cycle and instead of pointing fingers and blaming the publishing companies or the readers, let’s talk about how we can change the minds of both publishing companies AND readers. We can do this by buying books with POC on the cover and books that are about/by POC. This will send a message to publishing companies, that we don’t care who is on the cover, as long as the story is good, therefore, publish more books about people of color. If your book blog is dedicated to a certain genre, then start making an effort to read and review books in that genre that feature POC. We can send messages to our fellow readers by talking up the books about/by people of color, if you have a blog, you have a computer, so there are no excuses for not being able to find books about POC (Google anyone?) Reviewing books about POX does not mean we praise every single book about/by a POC. There is no free pass just for writing about a diverse group of characters (especially if they aren’t authentic), we should hold all books to the same standards; are they well written? Entertaining? Meaningful? It’s just an added bonus when the cast is multicultural.

Covers matter because they are the first thing (or one of the first things) that attracts us to a book. When you see a cover that is so unique, so breathtaking, laugh out loud funny or just plain weird, that gets your attention and draws you to the book. As a POC, seeing a cover with a POC on it, draws me in. I will pick up ANY book with a POC on it (and then read the summary to see if I actually want to read it) because sometimes I get tired of reading about blondes, brunettes,and feisty redheads (*eye roll* Why can’t you be a feisty blonde? or black-haired girl?) with blue, green or hazel eyes. People of color deserve to see images of themselves reflected on book covers, especially young readers. As children and teens of color grow we need to see ourselves reflected on book covers and in books to re-affirm that we are special and valuable because we don’t always get that reassurance from TV/movies, magazines or those around us which provides a crushing blow to self-esteem. I am one of many young people of color who at one point or antoher wanted to be white and cursed the fact that not only do I look different from everyone else, but I rarely see images of people who look like me in the media. That is a sad reality and conclusion to come to and I sincerely hope that in a small way, my blog along with others will help promote the works of POC enough that the next generation (regardless of skin color) will grow up with POC on book covers and will pick up the book without giving it a second thought except being excited about the story on the pages. When young readers (including myself) see POC on book covers, we get a boost of self-esteem and feel triumphant, happy in the knowledge that people will be walking around with a POC on a book cover (for a little while at least). They are seeing in color and will come to realize (if they haven’t already), that we all have some common experiences and trials regardless of skin color. It’s an eye-catching cover indeed that can convey all that with just one image of a POC.

People have already stepped up and begun working to promote books by/about POC. Check out Color Online, theHappyNappyBookseller, Crazy Quilts, Multiculturalism Rocks!, Gal Novelty, Asia on the Heart,World on the Mind, Bookish Blather, Good Books & Good Wine and the POC Reading Challenge. Oh and if you stop by my blog that would be pretty cool too and maybe, just maybe, it would be a great resource

Thank you, Ari!

Referenced Articles/Links for Further Reading:

N.K. Jemisin’s take on her German Cover

Justine Larbalestier’s article on the creation of book covers

Racebending.com’s take on whitewashing in YA novels

The Guardian UK’s article, “Fashion world stunned by Vogue for black” by Sarah Mower

American Community Survey Demographic & Housing Estimates (2006-2008)

aalbc.com’s article on African American Romance: “It’s All About Love: Romance Readers Speak Out” by Gwendolyn E. Osborne

Children’s Books by and about People of Color Published in the United States; Statistics Gathered by the Cooperative Children’s Book Center School of Education, University of Wisconsin-Madison

Justine Larbalestier’s article on why her protagonists aren’t white

An Analysis of South Asian & Diaspora Book Covers by Mary Anne Mohanraj

Neesha Meminger’s article on writing and publishing as a POC author, “Who Gets to Represent”

The Happy Nappy Booksellet thank you to Simon and Schuster’s POC covers

A Centralised article about Avatar: The Last Airbender from Racebending

Ursula LeGuin’s article on Slate.com about Whitewashing Earthsea

BBC News’ article about Alexander Dumas biopic and ensuing outcry

This is our brand new segment in which our delightful buddy Harry, from Temple Library Reviews will be joining us once a month to review paranormal romance from a guy’s perspective. But we will let him introduce himself, please let’s give a warm welcome to Harry!

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Harry: I’m the newest honorary addition to the Book Smugglers team [honest to God, I smuggle books home and then lie straight to my family's face about it]. I get the chance to play here at their blog once a month and my small spot will be called ‘A Dude Reads PNR’. The idea came to be in December, when I posted my Sherilyn Kenyon review and people were interested to see the male POV about Paranormal Romance. The public demands, the attention whore (that’s me) begs, and the smugglers comply.

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Title: The Battle Sylph
Author: L.J. McDonald
Genre: Romantic Fantasy / PNR

Publisher: Dorchester Publishing
Publishing Date: 23.02.2010
MMP: 323 pages [in the ARC]

Stand Alone or series: First book in a new series

He is one of many: a creature of magic, unrelentingly male. He is lured through the portal by pure female beauty, a virgin sacrifice. When she is killed, he is silenced and enslaved.

Such a dark ritual is necessary, you see. Unlike their elemental cousins-those gentler sylphs of wind and fire-Battlers find no joy in everyday labor. Their magic can destroy an army or demolish a castle, and each has but one goal: find a Queen, then protect and pleasure her at all costs. What would a woman do if she were given such a servant, and what would befall any kingdom foolish enough to allow a Battler to escape?

Young Solie and the people of Eferem are about to find out.

Why did I read the book: The premise sounded intriguing. Ana sounded ecstatic and when her reader-sense is tingling, it means something good will happen. The cover is also mucho impressive with those glowing eyes and the woman sprawled below the title. Certainly a looker that one.

How did I get the book: Ana [book-pimp extraordinaire] tied it to a balloon and asked a flock of geese to deliver it to me. That is a lie, but it would have taken less than with snail mail post.

Review:

My christening review for this mighty feature has not been the funny and good-feel bang I hoped for. To be quite honest ‘Circle of Fire’ shoved me outside in a blizzard. I needed a book to turn the heat up, burn down the house and fire me up. Thankfully ‘The Battle Sylph’ is just the right novel to help you lower your heating bills and is way better than the hot-water bottle you bring to bed. Every page is soaked with either adrenaline or naughty kerosene for the nether regions… of your imagination [naturally, what did you guys think I was going to say?]

Did I hook you? I hope so. Because, there’s much to enjoy in ‘The Battle Sylph’. As the genre suggests this is romantic fantasy, so no leather boots, guns, mean SUVs and vampires or any other standard magical race. Instead, we have swords, sturdy warriors, a queen and a race of spirits, who can become corporal and incorporeal, whenever they please. While it is true that fantasy hosts a romantic subplot almost always, the way the sex scene is mandatory for every single major Hollywood, the relationship usually remains in the background and is not central for the conflict. And it is not steamy, either.

‘The Battle Sylph’ offers the best from the medieval traditional fantasy with its quests, parties of brave heroes with a noble cause and a dastardly nemesis figure, while merging it with quite the liberated sexual attitude and a central relationship, which triggered the events in the book. The balance is solid and achieved by integrating sex into the worldbuilding, which evades the hazard of this becoming a book, where sex randomly flies around and is neither relevant, nor of any use to the plot. As the reader [you, because you have to have this book] discovers, the sylphs are spirits from a different plain, which live together in hives and divide into several subspecies, according to their status and function in the hive. There are elemental sylphs. Fire, water, earth, air. There are healing sylphs and there are also battle sylphs otherwise called the battlers. Every subspecies, excluding the battle sylphs, are female. The battlers are the soldiers in the hive and exist for war and sex, since they are the only males. The sole female to receive their affections is the queen of the hive, which makes them highly competitive and aggressive towards each other. The mythos in ‘The Battle Sylph’ helps the reader identify the mutual traits and the justification behind the behavior of all the battlers in the novel such as Heyou, the youngest battler and main protagonist, Ril and Mace. The dynamics and the hierarchy are fascinating to rediscover, because sylphs in general have no known mythological and popular role attached to them and this rendition steals the show, so to say.

Because sylphs in general require a connection with a human master in order to exist in the human world, the novel is rich in diverse relationship dynamics and scenarios. Beyond the usual human-human interaction with all the classic elements and tropes, such as friendship, betrayal, loyalty, subordination and defilement, readers are also treated to mandatory master-sylph episodes, which are as diverse as the individual characters. McDonald features cold hearted masters with a sadistic streak towards their sylphs, benign masters with a liberal mind, who break some rules and grant some freedoms to their sylphs and masters, who stray away from established models and allow their sylphs to act as they wish, relying on cooperation rather than servitude.

Although Solie and Heyou are the central couple, a queen with her battle sylph, their roles and the story attached to them would ring a bell. Solie is the first woman to break a monopolized by men tradition, by being bound to a battle sylph. Heyou is the young inexperienced battler, who must stand against many a challenge. That aside, the chemistry between these two feels very much real and volatile. However, the real emotional intensity lies in the human-sylph interactions between Leon, the king’s head of security and a dirty trick man, and his battler Ril and Jasar, member of the spoiled elite with many connections and an insufferable ego, and his battler Mace. Leon and Ril walk on the path of guilt, redemption and forgiveness, after it becomes clear that the female sacrifice used in the summoning ritual was actually the reason the battlers crossed plains and her death results in madness for the sylph and hatred towards the master, who remains clueless. Leon’s devastation upon learning the truth is raw and heartfelt, while Ril’s hatred and painful denial is also powerful to read. Mace is less fortunate with his master Jasar, whom you would love to hate and kill, if you were a character in the story. Mace has to endure his master’s depravations, toxic and demanding personality and amoral orders in silence; a bond from which he cannot escape and threatens to add a horrific twist in the resolution.

As you see, ‘The Battle Sylph’ is the Horn of Plenty. From page one you are assaulted with so many flavors, excitement and adventures that you may need some time to adjust. This is my issue with the book. It is taking a non-stop staccato story and playing it double time. There are almost no natural pauses for the reader to rest and by the end of the journey, I was as exhausted as the characters and mind you, I never even had to raise a sword or survive almost certain annihilation. This unnatural speed to dash to the finish line coupled with the lightning quick POV changes might result in some confusion, but overall these two issues do not steal from the quality of the storytelling, prose or creative prowess.

Verdict: I wanted to be sassy, humorous and witty, but quite frankly writing this review sapped completely. There are at least a few thousand words more I wanted to say, but this is a review and not a thesis. In a few words though, ‘The Battle Sylph’ is a winner for sure. A power exercise for your brain’s endurance, but the benefits outweigh the minor inconveniences along the way.

Rating: 8 – Excellent

Reading next: Demonkeepers by Jessica Andersen

Yesterday was the official release date of Black Magic Sanction, the eighth book in Kim Harrison’s ongoing Rachel Morgan/The Hollows series.

In New York Times bestselling author Kim Harrison’s most complex and nuanced adventure yet, bounty hunter and witch Rachel Morgan fights a deadly battle—mind, body, and soul

Black Magic Sanction

Rachel Morgan has fought and hunted vampires, werewolves, banshees, demons, and other supernatural dangers as both witch and bounty hunter—and lived to tell the tale. But she’s never faced off against her own kind . . . until now. Denounced and shunned for dealing with demons and black magic, her best hope is life imprisonment—at worst, a forced lobotomy and genetic slavery. Only her enemies are strong enough to help her win her freedom, but trust comes hard when it hinges on the unscrupulous tycoon Trent Kalamack, the demon Algaliarept, and an ex-boyfriend turned thief.

It takes a witch to catch a witch, but survival bears a heavy price.

If you’re a fellow Hollows addict (as Thea is), you’ll be interested in learning that io9 has the first TWO chapters up for your reading pleasure. You can read the i09 article and excerpt online HERE.

And once you’re good and hungry for more Black Magic Sanction, check out Harper Collins’ awesome Browse Inside feature, where you can read the first SEVEN chapters of the book:

We’ll be having our own review of Black Magic Sanction very, very soon – so make sure to stay tuned.

Welcome to guest dare! For those new to the feature, our Guest Dare is a monthly endeavor in which we invite an unsuspecting victim to read a book totally outside of their comfort zone. You can read all previous Dare posts HERE.

This month’s victim is Jeff – one of the minds behind the awesomeness that is Alert Nerd and the dude who talks about geeky things at Jefferson Stolarship. When we invited Jeff for the dare, we just knew he would be reading a Romance Novel. So please, ladies and gents, give it up for Jeff!

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Title:The Duke of Shadows

Author: Meredith Duran

Genre: Historical Romance

Publisher: Pocket
Publication Date: March 2008
Mass Market Paperback: 384 pages

Stand alone or series: Stand alone

Sick of tragedy, done with rebellion, Emmaline Martin has no interest in courting trouble. But when violence seizes the British colonies, she must turn for help to the one man whom she should not trust, but cannot resist: Julian Sinclair, the dangerous and dazzling heir to the Duke of Auburn. In London, they toast Sinclair with champagne. In India, they call him a traitor. When Emma’s life falls into his hands, Julian cannot imagine the lengths he will go to keep her safe — or how love itself will become their greatest danger. A lifetime later, in a cold London spring, Emma and Julian will finally confront the truth: no matter how hard one tries to deny it, some pasts cannot be disowned . . . and some passions may never die.

Why did we recommend this book: : This is one of Ana’s favorite Romance novels by one of Ana’s favorite romance novel writers.

Jeff’s Review:

When I was younger and more inclined to be glib and cynical, I opined that I could write a historical romance novel pretty easily. I was in college, and I’d just found a bodice-ripper half-hidden under a friend’s bed; of course, wrapped up in my haughty, self-important English major-dom, I mocked her terribly. Romance novels were nothing but insubstantial and overly florid frivolity, I said, and even I could just churn one out if so inclined. My outline involved a chaste yet listless Spanish noblewoman abducted by fierce privateers whose harsh and demanding captain taught her about love and adventure…not in that order. I didn’t dissuade Anna from reading her book, and I ignored the hypocrisy carefully when I cracked open a Star Wars novel later that day. And though I talk a good game, I never did get around to writing that book. Go figure.

It was that incident that I had in mind when Ana and Thea dared me to tackle Meredith Duran’s The Duke of Shadows. Though I’d broadened my horizons since my all-genre-fiction-all-the-time period, I wasn’t sure that my forays into ‘chick lit’ had really prepared me for what I was about to read. I’m not one to back down from a dare, but I kind of dreaded the promise of purple prose and quivering members. I forgot for a moment that I’m an unabashed consumer of melodrama.

I couldn’t put The Duke of Shadows down. I devoured it greedily and in large, uncouth bites. Like its heroine, it seems unassuming at first blush, but has something incredibly compelling hidden underneath its exterior. So compelling that I found myself talking to the book in the way that some people shout at the victims in slasher flicks. You know, “Don’t run UP THE STAIRS!” It hit me when heroine Emma was reunited with the titular shadowy duke after a four year absence and they both overreacted in the exact wrong way. I sat bolt upright in my comfy reading chair and informed Emma and Julian both that Marcus – the evil Viscount – had deceived them both.

Does The Duke of Shadows adhere to the conceits of the genre? Well, of course it does. The romance between the headstrong, artistic Emma and brooding, conflicted Julian is so unrealistic that it might as well be supernatural. Julian is practically perfect in every way – breathtakingly beautiful, absurdly wealthy, erudite, compassionate and a master marksman. Emma is a rich, headstrong tragic heiress who is herself unconventionally beautiful and a superbly talented artist. I realize that that’s like complaining that water is wet; we’re dealing with romantic melodrama, so I accept that it’s par for the course. Despite that, their mutual attraction seems real, and their banter organic. The romantic in me roots for them almost immediately, especially in contrast to Marcus, Emma’s racist womanizing bastard of a fiance.

Would I have enjoyed this book if it weren’t for Meredith Duran? I’m not sure. She makes the book move quickly, makes the dialogue not only pop but sound real, and despite being inside her characters’ heads frequently, the voice of the book is efficient and not overburdened with filler adverbs the way this post is. The inside-back-cover bio of Duke describes Duran as a lifelong history buff, and that’s something that definitely shows in the life she’s able to breathe into the setting of the book – colonial India.

The British Raj is the perfect backdrop for exotic romance, especially set as it is against the backdrop of Sepoy Mutiny of 1857. I know the tendency can be to correlate India with outsourced call center reps and their longtime feud with Pakistan and move along, but it is a breathtakingly beautiful country with an exotic mix of old and new, even at the time when The Duke of Shadows takes place; in fact, the division between and admixture of tradition and modernity is a bit sharper because it’s fresher. As a result, the book also has some things to say about nationalism and cultural identity that gave it added depth. Emma, steeped in British court society but too independent to let it govern her thinking, is the perfect point of view character for the story.

I thought that The Duke of Shadows was a great read, and I’m glad that Ana and Thea urged me to step outside my comfort zone and try something new. Am I going to have to clear out room for a ‘Harlequin Shelf’ in my library? I doubt it, honestly, but I’m certainly not going to steer away from a great book that just happens to be a romance again.

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Yay, Jeff! We are most delighted that you enjoyed your dare!

Next on the Guest Dare: Peter from Bitterly Books reads Scalped Volume 1

Until next month!

“Inspirations and Influences” is a new series of articles in which we invite authors to write guest posts talking about their…well, Inspirations and Influences. The cool thing is that the writers are given free reign so they can go wild and write about anything they want. It can be about their new book, series or about their career as a whole.

We are delighted to welcome Sean Cummings, Canadian UF writer as our guest for the day. His debut novel Shade Fright is coming out next week and it features a female protagonist who can see the preternatural world and whose job is to locate other people who can too, for the Government. She will do that with the help of her best (zombie) friend and the ghost of former Canadian Prime Minister William Lyon Mackenzie King. Sean is here today to talk about his inspirations for writing the novel.

Ladies and Gents, Sean:

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First off, I’m really very grateful to The Book Smugglers for joining my blog tour and doing a giveaway, good luck to everyone who enters.

What inspired me to write Shade Fright ?

1. Comic books

From an early age, I developed a passionate love affair with comic books and in particular, a series of comics Marvel put out in the 70’s called “Werewolf by Night”. It was, and still is the starting point for urban fantasy in my eyes. Think about it for minute – it’s 1977, you’re ten years old and there’s a second hand comic book store on the way home from school. I collected pop bottles and delivered flyers to make enough to replenish my supply of comics and while I loved Batman and Spidey, I was completely blown away by a character named Jack Russell who could turn into a werewolf any freaking time he wanted – forget about the full moon. He lived in an urban setting and he battled all kinds of supernatural baddies, so you can imagine, I was hooked! Voila! Urban Fantasy!!

2. Canada, eh? Why the heck not?

A second inspiration for Shade Fright and one that is featured throughout the novel is that it takes place in Calgary Alberta Canada as opposed to Chicago or New York or Paris or some other world class city. (Not that Calgary isn’t world class – I mean we did have a winter Olympics there twenty-two years ago. Holy crap! Has it really been that long?)

I wanted to write an urban fantasy that was uniquely Canadian because I think hey, why the heck shouldn’t there be a Canadian ass-kicking female protagonist who throws magic at supernatural bad guys? Shade Fright is inspired by Jim Butcher’s bestselling series, The Dresden Files. There’s a splash of Simon R. Green, a sprinkle of Tanya Huff and a smattering of Kelley Armstrong. It’s a uniquely Canadian take on urban fantasy and it’s chock-full of little known facts about Canada and how we look at the world.

3. My final inspiration: Writing a book in three days! What are you nuts?

I wrote the first draft for Shade Fright on Labour Day weekend 2007. I’d entered the 3-Day Novel Contest to see if I could actually pull it off and after 72 hours of coffee, typing, retyping, swearing and banging my head against the desk, Valerie Stevens emerged as my main character and the ghost of Canadian Prime Minister William Lyon Mackenzie King (who in life was a big time occultist) showed up to help Valerie solve a mystery that threatened to kill everyone in the city. After revising the crap out of the story, and doing a full rewrite, I started submitting it to publishers and agents in the fall of 2008. In May 2009 I received an offer from award winning independent publisher Snowbooks so I decided to jump at the opportunity.

Since then I’ve completed the second volume in the series, Funeral Pallor, and I’ve introduced some new characters not to mention a few surprises that speak to the entire story arc. (I have six books outlined.)

I’m kind of pinching myself because I’ve been writing for more than twenty years with the goal of one day getting a book in print. Some of the stuff I put out two decades ago should have been burned and buried instead of submitted to publishers in a self addressed stamped envelope – oh those poor editors! My writing was so bad it probably made their eyes bleed! But you know what? I kept at it because I believed in myself – that’s really my advice to any fledgling author. Keep at it, learn the craft, make mistakes, take your lumps, take NOTHING personally because writing is entirely subjective.

I do hope readers get a kick out of my debut novel. Oh – and if you’re wondering whether it was difficult for me to write a female protagonist in first person POV given that I’m a guy, all I can say is that Valerie is an amalgam of all the women I served with in the military. She’s not overly feminine, she’s definitely not butch. She’s got a soft spot for Greek food and she has a hate-on for evildoers.

Enjoy!

About the author: Sean Cummings is a comic book geek of the highest order and self-described nerd. He’s been writing since 1978 (as a means of liberating his “inner nerd”) He’s a huge fan of the television series Being Human and asserts that if urban fantasy happened in the real world, Being Human is as close to real as you can get. His interests include speculative and science fiction, the borg, cats with extra toes, east Indian cuisine and quality sci-fi movies/television. He lives in Saskatoon, Canada. You can read a great review of Shade Fright here.

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Thank you, Sean!!!

GIVEAWAY DETAILS

“I fell into this job quite by accident, when I discovered that I possessed the ability to see the preternatural world. There are a handful of people with similar abilities, and part of my job is to locate them, since Government Services and Infrastructure Canada likes to keep track of these things. Don’t ask me why.”

There’s a malevolent force in town, and it’s quite literally Valerie Stevens’ job to determine who’s behind it and why they want to destroy the world, starting with Calgary.

She’ll have help, in the form of her best friend (now more or less a zombie, unfortunately), a powerful dwarf troll, and the ghost of former Canadian Prime Minister William Lyon Mackenzie King (but he goes by ‘Bill’ these days). But that’s not all – Valerie has some tricks up her sleeve and, she hopes, luck on her side. Oh, and her boyfriend, Dave. He drives a dump truck.

We have one copy of Shade Fright courtesy of the author to giveaway. In order to enter, leave a comment on this post telling us which is your favorite movie or book set in Canada. Contest is open for residents of UK, US and Canada ONLY and will run till Saturday February 27th 11:59pm (PST). We will announce the winner next Sunday in our weekly stash! Good luck!

Wherever Nina Lies is the debut novel from the young and extremely talented Lynn Weingarten. In order to celebrate the paperback release of the novel, we are offering up a giveaway for THREE lucky readers!

The Book:

Wherever Nina Lies by Lynn Weingarten

Genre: Young Adult, Contemporary, Mystery

Publisher: Point (Scholastic)
Publication Date: February 2010
Paperback: 320 pages

Nina was beautiful, wild, and adored by her younger sister, Ellie. But, one day, Nina disappeared. Two years later, everyone has given up home that Nina will return, but Ellie knows her sister is out there. If only Ellie had a clue where to look. Then she gets one, in the form of a mysterious drawing. Determined to find Nina, Ellie takes off on a crazy, sexy, cross-country road trip with the only person who believes she’s got a chance—her hot, adventurous new crush. Along the way, Ellie finds a few things she wasn’t planning on. Like love. Lies. And the most shocking thing of all: the truth.

The Website:

The Excerpt:

The guy walking toward me is good-looking in an obnoxious way, like he’d play the hot jerk in a TV movie about why drunk driving is bad or how it doesn’t pay to cheat on the SATs. He’s got these big wrap-around sunglasses on and a shiny black short-sleeved button-up shirt filled out with the kind of insanely sculpted arm muscles a person only gets when they spend most of their time lifting weights in the mirror and grunting at themselves.

You can read the full first chapter online HERE.

The Author:

Lynn Weingarten spends a lot of time writing in coffee shops while occasionally reading strangers’ laptops over their shoulders. In the past she has been a book editor, a barista, a counter girl at a bakery in Ireland, a waitress at a bar, and a seller of tiny homemade clay animals. She lives in New York City. Wherever Nina Lies was her first novel. Please visit her online at www.lynnweingarten.com.

THE GIVEAWAY:

We are giving away THREE copies of Wherever Nina Lies! The contest is open to participants with a United States mailing address only (international readers can enter if they have a friend in the States who can accept their prizes by mail) and will run until Saturday, March 13, 2010 at 11:59 PM (PST). In order to enter, all you have to do is leave a comment here. Only ONE comment per person, please! Multiple entries and/or duplicate comments will be automatically disqualified. Good luck!

Howdy folks, and Happy Monday! Today we bring you a very special author spotlight on The Book Smugglers – none other than the uber-talented Jeri Smith-Ready.

Jeri is the author of traditional fantasy (the Aspect of the Crow trilogy), young adult (upcoming title Shade), and urban fantasy – and her WVMP Radio series, Wicked Game and Bad to the Bone, are some of the most awesome, memorable vampire Urban Fantasy books out there. Check them out:

Late-night radio you can sink your teeth into

Recovering con artist Ciara Griffin is trying to live the straight life, even if it means finding a (shudder!) real job. She takes an internship at a local radio station, whose late-night time-warp format features 1940s blues, 60s psychedelia, 80s Goth, and more, all with an uncannily authentic flair. Ciara soon discovers how the DJs maintain their cred: they’re vampires, stuck forever in the eras in which they were turned.

Ciara’s first instinct, as always, is to cut and run. But communications giant Skywave wants to buy WMMP and turn it into just another hit-playing clone. Without the station—and the link it provides to their original Life Times—the vampires would “fade,” becoming little more than mindless ghosts of the past. Suddenly a routine corporate takeover becomes a matter of life and un-death.

To boost ratings and save the lives of her strange new friends, Ciara re-brands the station as “WVMP, the Lifeblood of Rock ’n’ Roll.” In the ultimate con, she hides the DJs’ vampire nature in plain sight, disguising the bloody truth as a marketing gimmick. WVMP becomes the hottest thing around—next to Ciara’s complicated affair with grunge vamp Shane McAllister. But the “gimmick” enrages a posse of ancient and powerful vampires who aren’t so eager to be brought into the light. Soon the stakes are higher—and the perils graver—than any con game Ciara’s ever played…

Excerpt online HERE.

TURN ON. TUNE IN. DROP DEAD.

Welcome to WVMP, “The Lifeblood of Rock ’n’ Roll,” where conartist-turned-station-owner Ciara Griffin manages an on-air staffof off-the-wall DJs—including new boyfriend Shane McAllister—who really sink their teeth into the music of their “Life Time” (theera in which they became vampires). Ciara keeps the undeadrocking, the ratings rolling, and the fan base alive—withoutmissing a beat.

For Halloween, WVMP is throwing a bash. With cool tunes, hotcostumes, killer cocktails—what could go wrong? To start, areligious firebrand ranting against the evils of the occultpreempts the station’s midnight broadcast. Then, when Ciaratracks down the transmission, the broadcast tower is guarded bywhat appears to be . . . a canine vampire? Behind it all is a groupof self-righteous radicals who think vampires suck (and arewilling to stake their lives on it). Ciara must protect the stationwhile struggling with her own complicated relationship, her bestfriend’s romance with a fledgling vampire, and the nature of hermysterious anti-holy powers. To make it to New Year’s in one piece,she’ll need to learn a few new tricks. . . .

Excerpt online HERE.

Totally awesome music of WVMP Radio online HERE.

In celebration of the mass market paperback release of Bad to the Bone, we’re having an awesome interactive Q&A opportunity with the esteemed Jeri Smith-Ready! Here’s how it works: Jeri will be popping in all day long to answer YOUR burning questions about her WVMP Radio books. But wait, it gets even cooler – courtesy of publisher Simon & Schuster, we’ve got TWO sets of WVMP Radio books up for grabs (Wicked Game and Bad to the Bone). Entry is easy and simple – just leave a comment here asking Jeri a question (about her UF series, her writing process, her favorite authors, music, tv shows, etc). The contest is open to all, and will run until Saturday, February 27th at 11:59PM (PST). Good luck, and let the questions begin.

We give the floor up to Jeri Smith-Ready!

Hey, thanks so much for having me as a guest on The Book Smugglers! I write the WVMP RADIO vampire series and the upcoming SHADE ghost series for teens. I love answering readers’ questions, so ask me anything. (Yes, anything. If I don’t know the answer, I’ll make something up–it’s what I do. For example, where I got the idea for vampire DJs, what it’s like to write for both adults and teens, and what I do in my nearly nonexistent spare time (right now I’m mesmerized by Olympic curling). You can even ask my characters questions, though Shane and Regina tend to keep nighttime hours. As Pat Benatar once said, hit me with your best shot!

Award-winning author Jeri Smith-Ready lives in Maryland with her husband, two cats, and the world’s goofiest greyhound.

You can read more about Jeri online at her website, and at her blog.