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	<title>Comments on: Smugglivus Presents &#8211; Kate (What Kate&#8217;s Reading)</title>
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	<link>http://thebooksmugglers.com/2008/12/smugglivus-presents-kate-what-kates.html</link>
	<description>Smuggling Since 2007 &#124; Reviewing SF &#38; YA since 2008</description>
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		<title>By: Kate</title>
		<link>http://thebooksmugglers.com/2008/12/smugglivus-presents-kate-what-kates.html/comment-page-1#comment-4436</link>
		<dc:creator>Kate</dc:creator>
		<pubDate>Wed, 31 Dec 2008 06:52:00 +0000</pubDate>
		<guid isPermaLink="false">http://thebooksmugglers.com/?p=499#comment-4436</guid>
		<description>Karin, definitely check it out! It is an incredible book. I actually picked it up late in 2007 and read the notes and author information, which left me sufficiently emotionally drained to leave the book for a later reading. It was incredible.&lt;br/&gt;&lt;br/&gt;Kris, I work in the visual arts so the idea of context is almost ever-present. I really enjoyed extrapolating those ideas out into literature and music. The number of times I catch myself appreciating a piece of art without actually liking it can&#039;t be counted.&lt;br/&gt;&lt;br/&gt;Evie, I don&#039;t think you&#039;ll be disappointed!&lt;br/&gt;&lt;br/&gt;M., I recently also saw &quot;The Rape of Europa&quot; and can&#039;t speak highly enough about it. As a person with a background in history who works in the visual arts, I deal with art provenance pretty frequently and I have to admit that it&#039;s by far one of the most fascinating parts of what I do. Have you ever read &quot;The Forger&#039;s Spell&quot; by Edward Dolnick? It just came out this year (I think?) and deals with a Dutch man who forged Vermeers really very poorly but sold his way into the Reich collection. The book deals occasionally with the Monuments Men and the recovery of art post-war. If you liked &quot;The Rape of Europa,&quot; I think you&#039;d like &quot;The Forger&#039;s Spell.&quot;</description>
		<content:encoded><![CDATA[<p>Karin, definitely check it out! It is an incredible book. I actually picked it up late in 2007 and read the notes and author information, which left me sufficiently emotionally drained to leave the book for a later reading. It was incredible.</p>
<p>Kris, I work in the visual arts so the idea of context is almost ever-present. I really enjoyed extrapolating those ideas out into literature and music. The number of times I catch myself appreciating a piece of art without actually liking it can&#8217;t be counted.</p>
<p>Evie, I don&#8217;t think you&#8217;ll be disappointed!</p>
<p>M., I recently also saw &#8220;The Rape of Europa&#8221; and can&#8217;t speak highly enough about it. As a person with a background in history who works in the visual arts, I deal with art provenance pretty frequently and I have to admit that it&#8217;s by far one of the most fascinating parts of what I do. Have you ever read &#8220;The Forger&#8217;s Spell&#8221; by Edward Dolnick? It just came out this year (I think?) and deals with a Dutch man who forged Vermeers really very poorly but sold his way into the Reich collection. The book deals occasionally with the Monuments Men and the recovery of art post-war. If you liked &#8220;The Rape of Europa,&#8221; I think you&#8217;d like &#8220;The Forger&#8217;s Spell.&#8221;</p>
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		<title>By: M.</title>
		<link>http://thebooksmugglers.com/2008/12/smugglivus-presents-kate-what-kates.html/comment-page-1#comment-4432</link>
		<dc:creator>M.</dc:creator>
		<pubDate>Wed, 31 Dec 2008 00:51:00 +0000</pubDate>
		<guid isPermaLink="false">http://thebooksmugglers.com/?p=499#comment-4432</guid>
		<description>Very thought-provoking analysis and difficult-to-answer questions.  I had not heard of this book, but will seek it out.  Just recently watched the extraordinary &#039;Rape of Europa&#039; documentary, which describes the Nazi program of systematic theft of art treasures from Jewish families in the occupied territories including France, for funneling back to Germany, and how every once in a while now items pop up again in the market and are restored to descendants of the rightful owners.</description>
		<content:encoded><![CDATA[<p>Very thought-provoking analysis and difficult-to-answer questions.  I had not heard of this book, but will seek it out.  Just recently watched the extraordinary &#8216;Rape of Europa&#8217; documentary, which describes the Nazi program of systematic theft of art treasures from Jewish families in the occupied territories including France, for funneling back to Germany, and how every once in a while now items pop up again in the market and are restored to descendants of the rightful owners.</p>
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		<title>By: Evie</title>
		<link>http://thebooksmugglers.com/2008/12/smugglivus-presents-kate-what-kates.html/comment-page-1#comment-4431</link>
		<dc:creator>Evie</dc:creator>
		<pubDate>Wed, 31 Dec 2008 00:44:00 +0000</pubDate>
		<guid isPermaLink="false">http://thebooksmugglers.com/?p=499#comment-4431</guid>
		<description>Kate,  &lt;br/&gt;&lt;br/&gt;Fascinating essay on Suite Francaise.  I&#039;ll be moving it up on my TBR.</description>
		<content:encoded><![CDATA[<p>Kate,  </p>
<p>Fascinating essay on Suite Francaise.  I&#8217;ll be moving it up on my TBR.</p>
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		<title>By: Kris</title>
		<link>http://thebooksmugglers.com/2008/12/smugglivus-presents-kate-what-kates.html/comment-page-1#comment-4430</link>
		<dc:creator>Kris</dc:creator>
		<pubDate>Tue, 30 Dec 2008 22:49:00 +0000</pubDate>
		<guid isPermaLink="false">http://thebooksmugglers.com/?p=499#comment-4430</guid>
		<description>Thanks for a thought-provoking post, Kate. &lt;br/&gt;&lt;br/&gt;The concept of &#039;reading&#039; in context; whether it be when the work was created or became public/ published/ displayed or even the personal context of the audience, is something which is of great interest to me. I&#039;ve had many a discussion re: the matter of, as you so clearly put it, &#039;when one mistakes appreciation for the context for appreciation for the art&#039; and the value of said work if that is purely where the appreciation lies.&lt;br/&gt;&lt;br/&gt;&#039;Suite Francaise&#039; sounds fascinating and the story of both the author and the discovery of the manuscript cannot but add to its reading.&lt;br/&gt;&lt;br/&gt;Thanks again.</description>
		<content:encoded><![CDATA[<p>Thanks for a thought-provoking post, Kate. </p>
<p>The concept of &#8216;reading&#8217; in context; whether it be when the work was created or became public/ published/ displayed or even the personal context of the audience, is something which is of great interest to me. I&#8217;ve had many a discussion re: the matter of, as you so clearly put it, &#8216;when one mistakes appreciation for the context for appreciation for the art&#8217; and the value of said work if that is purely where the appreciation lies.</p>
<p>&#8216;Suite Francaise&#8217; sounds fascinating and the story of both the author and the discovery of the manuscript cannot but add to its reading.</p>
<p>Thanks again.</p>
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		<title>By: Karin</title>
		<link>http://thebooksmugglers.com/2008/12/smugglivus-presents-kate-what-kates.html/comment-page-1#comment-4424</link>
		<dc:creator>Karin</dc:creator>
		<pubDate>Tue, 30 Dec 2008 21:55:00 +0000</pubDate>
		<guid isPermaLink="false">http://thebooksmugglers.com/?p=499#comment-4424</guid>
		<description>Wow, Kate, I had not heard of Nemirovsky or her books, but now I really want to get my hands on a copy. It sounds fascinating and like something I would like to read. Thank your posting about it.</description>
		<content:encoded><![CDATA[<p>Wow, Kate, I had not heard of Nemirovsky or her books, but now I really want to get my hands on a copy. It sounds fascinating and like something I would like to read. Thank your posting about it.</p>
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